The Real Horror in ‘The Witch’ (2015) is Generational Trauma

“Through her slow embodiment of the “Witch,” something unfathomable to the very foundation of her familial structure, Thomasin frees herself from the weight of the same trauma that crushes everyone she loves.”

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REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic

★★★★ “Visually, Emma is as perfectly vain as its titular character, which is brilliant.”

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