[Between the Lines] Why ‘Palm Springs’ (2020) Should Have Been Nominated for Best Original Screenplay

Without diminishing the nominees, there is one screenplay that should have made the cut.

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INTERVIEW: Thomas Wilson-White Discusses Grief and Queer Genre Films with ‘The Greenhouse’ (2021)

This year’s BFI Flare festival was host for numerous world premiere’s, including Australian writer and director Thomas Wilson-White’s feature length debut The Greenhouse.

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[Between the Lines] Seeing and Hearing Through the Protagonist in the ‘Sound of Metal’ (2019) Screenplay

Setting up and subsequently flipping Ruben’s world within seven pages is a testament to the writers using tried and tested techniques to tell a new, interesting story.

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[Between the Lines] The Best Narratives of 2020

To kickstart a new year for Between the Lines, I wanted to talk about five films that stood out to me purely on their story and writing aspects.

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Between the Lines: Creating a Visual Identity in the ‘Scott Pilgrim vs. the World’ (2010) Screenplay

Even with Wright’s brand of snappy editing and energetic pacing, it’s interesting to see how much of the now iconic visual style actually came from an early draft of the screenplay written by Bacall.

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Between the Lines: How Comedy Tells a Story Throughout the ‘Hot Fuzz’ (2007) Screenplay

Edgar Wright films are recognised for their intelligent use of visual comedy and snappy editing styles, where Hot Fuzz is rich with both.

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