LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama

Industry excels at putting the audience in the moment, but lacks urgency and depth.

Read More

LFF REVIEW: ‘Another Round’ (2020) Fails to Say Anything New or Meaningful

Unfortunately Another Round goes through familiar themes without adding anything new to the table.

Read More

LFF REVIEW: ‘Possessor’ (2020) is an Engrossing, Nihilistic Dreamscape

What we do get, however, is a stylish blood-soaked thriller bolstered by strong performances and a strong visual identity.

Read More

LFF REVIEW: ‘Wolfwalkers’ (2020) is a Stunning, Delightful Animation

Directors Tomm Moore and Ross Stewart, and their army of animators, have crafted a gorgeous 2D animation which tells a riveting story about the friendship of two young girls.

Read More

LFF REVIEW- ‘The Reason I Jump’ (2020) is an Essential Documentary on Understanding Autism

Director Jerry Rothwell utilises visuals and sound design with such creativity that it lets the audience directly empathise with the cast.

Read More

LFF REVIEW: ‘Honeymood’ (2020) Takes Viewers on a Journey to Nowhere

What could have been a fun-filled adventure ends up being a meandering journey through meaningless plot points.

Read More

PRIDE 2020: ‘Sunday Bloody Sunday’ (1971) Uses Sexuality to Portray the Longing for Love

Released in 1971, Sunday Bloody Sunday made waves for depicting the first man-on-man kiss in mainstream British cinema, portraying a bisexual character and for portraying a polyamorous relationship.

Read More