Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)

At the start of Billy Wilder and I.A.L. Diamond’s screenplay, the title page reads “This piece must be played molto furiouso, suggested speed: 110 miles an hour – on the curves – 140 miles an hour in the straightaways.” Having adapted Ferenc Molnar’s Hungarian one-act play of the same name, One, Two, Three (1961) was…

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Now That’s What I Call Kino #3 – The Visual Imagery of Casablanca

Few films are as perfect as Casablanca. A stunning piece of film history that signifies the epitome of what Golden Age creatives could achieve in Hollywood. The greatest love story ever told tinted in an expressionist noir light – the cinematography of Casablanca is one of many reasons as to why this classic still has…

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