David Lynch – Flip Screen

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Brady (Brady Jandreau) from The Rider standing out in the Badlands of South Dakota looking out ahead of himself. In the distance, there's a smaller mountain and the sky is filled with a mixture of dark and light hues amongst the heavy clouds. Brady is centered in the middle of the frame, with his back towards the camera, wearing his signature cowboy hat.

Autumnal Poetry in Motion and Its Subsequent Feelings as Seen in Film

From familial relationships and the underlying meaning of garments to making the most of life while still alive, these films convey the whole spectrum of arguably the most poetic season of all.

Pennywise the clown smiles creepily in blue lighting with two windows glowing behind him

31 Days of Horror: Week Four Roundup

Four weeks down, one to go! In the penultimate week of the 31 Days of Horror challenge, I decided to focus on films that have been sitting in my watchlist for far too long. Though I found some films to be disappointing, there were some gems hidden in the pile, making for a great week of horror films.

Image from the film Mulholland Drive. A man is on the phone in a dimly lit room.

How David Lynch Doesn’t Use Dialogue in ‘Mulholland Drive’ (2001)

By: Shay Gillams 21st Sep 202020th Sep 2020

Essay, FilmDavid Lynch, Mulholland DriveLeave a Comment

In 2001, David Lynch blessed and cursed the world with Mulholland Drive, an intricately crafted, deeply confusing suspense-noir that deals in Hollywood cynicism, dread, guilt, illusion, innocence, beauty and disdain in equal measure.

This image is from Mulholland Drive. Betty daydreaming overlaid with Los Angeles Palm Trees

‘Mulholland Drive’ (2001) and the Artifice of the American Dream

By: Jennifer Maxwell 29th Jul 202028th Jul 2020

Essay, Featured, FilmDavid Lynch, Film, Laura Harring, Mulholland Drive, naomi watts, SurrealismLeave a Comment

How David Lynch tricks the audience and dismantles the American Dream in Mulholland Drive.

An image from the show Twin Peaks. Drinking coffee in a diner, Agent Cooper and Sheriff Truman turn around to look at a woman cradling a log.

30 Years On, Twin Peaks Proves That It’s Damn Fine to be Weird

By: Kevin Woodley 8th Apr 202010th Apr 2020

Anniversaries, Featured, Personal, TVAngelo Badalamenti, David Lynch, Kyle MacLachlan, Mark Frost, TV, Twin PeaksLeave a Comment

In an era where a lot of things feel and look the same, based on templates for success, churned out as quickly as they can be made, how could you not cherish something as defiantly different as Twin Peaks?