“Through her slow embodiment of the “Witch,” something unfathomable to the very foundation of her familial structure, Thomasin frees herself from the weight of the same trauma that crushes everyone she loves.”
Read More
All articles filed in Essay
“As Bizarre and Erotic as Possible”: Is ‘2046’ (2004) Wong Kar-wai’s Sci-Fi Movie?
“‘2046’ is not Wong Kar-wai’s first attempt at a pseudo-sequel, nor his first film to weave together a series of interconnected vignettes. Nonetheless, it gives the impression of something totally different for the Hong Kong auteur.”
Read More
When All Other Lights Go Out – The Comfort of ‘The Lord of the Rings: The Fellowship of the Ring’ (2001) 20 Years Later
‘Fellowship of the Ring’ was a movie that blew open the doors for my imagination as a kid. 20 years later, it became a much-needed comfort – and an unexpected companion – as the world got darker.
Read More
‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
“‘Money Heist’ exaggerates almost all aspects of reality, in turn challenging the economic and political status quo.”
Read More
‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television
‘Yellowjackets’ challenges the idea that women are communal in times of crisis, while highlighting the power and necessity of female rage in film.
Read More
‘√964 Pinocchio’ (1991): Vengeful Outcast, Emetic Spirit
“As a narrative revolving around members of a loathed social underclass, ‘√964 Pinocchio’ [grapples] with conceptual otherness through the fundamental human fear that that which belongs in the body will find its way out.”
Read More
Watching ‘Night of the Living Dead’ (1968) in the Wake of a Pandemic
“‘Night of the Living Dead’ may have been released over fifty years ago, but as its own circular nature observes and predicts, so little has changed from the small-scale revival of the dead America is not able to grieve.”
Read More
Always a Bridesmaid and Never a Bride, Until Now: How ‘Bridesmaids’ (2011) Allowed Women to Take the Front Seat in Comedies
“Aside from being groundbreaking and hilarious, there is a lot to ‘Bridesmaids’ that often goes unappreciated.”
Read More
‘Requiem For A Dream’ Doesn’t Haunt Like ‘Last Exit To Brooklyn’
“The fear here is the much more threatening notion that society is more dangerous than we realise; that we’re trapped amidst its expectations and oppression no matter our intentions.”
Read More
The Humanity of 2000s Postmodernist Cinema
In a movement mostly known for genre experimentation, these films managed to add emotionality to postmodernism.
Read More
Flip Screen 