INTERVIEW: Avalon Fast Talks Her Buzzworthy Debut ‘Honeycomb’ (2022)

Our editor-in-chief Hayley Paskevich talks to young filmmaker Avalon Fast about everything from the many different hats she wore during production, to bees and girl cults.

Read More

REVIEW: ‘Found Family’ (2021) is a Sweet Addition to the Lesbian Bildungsroman

“‘Found Family’ (2021) is a sweet addition to the lesbian bildungsroman in film.”

Read More

‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 

‘Yellowjackets’ challenges the idea that women are communal in times of crisis, while highlighting the power and necessity of female rage in film.

Read More

INTERVIEW: Amelia Moses Talks Subverting Horror Tropes In ‘Bleed With Me’ (2020)

Still making the rounds at film festivals across the world, Bleed With Me has proven to be a noteworthy debut from writer/director Amelia Moses. In this interview, Moses chats about the making of the film and her love of the horror genre.

Read More

F**k Men! Women Who Want More

When love isn’t enough. Looking at women in film who say F**k Men! and choose independence over the safe arms of their leading men.

Read More

Finding Beauty in Humanity: Remembering Lynn Shelton Through Her Work

Throughout her career, Lynn Shelton created a safe space for characters (and viewers alike) to feel like they belong – no matter how awkward, complex or messy they are. 

Read More

INTERVIEW: Coralie Fargeat Talks About Pushing the Boundaries With ‘Revenge’ (2017)

Her first feature Revenge follows the character of Jen, a young woman who is left for dead in the desert by three men, ready to be reborn and seek vengeance upon her attackers.

Read More

Raw (2016) is a Radical Coming of Age Horror Film That Gives Women Power Over Their Desires

Julia Ducournau’s French cannibalistic coming of age film Raw depicts feminine pleasure and power through body horror. The film played at festivals and in France, with a limited US release. Viewers had visceral reactions to the screenings, with some even walking out or passing out due to the graphic cannibalism. Even so, Ducournau’s film can be incredibly relatable and empowering for young women.

Read More