However, despite the many elements that work in its favour, Wonder Woman 1984 isn’t without its flaws.
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However, despite the many elements that work in its favour, Wonder Woman 1984 isn’t without its flaws.
Read MoreFeaturing a demonic contortionist that will make you scream, Dyck’s swerve into the horror genre is well worth an evening’s sacrifice.
Read More“Krippendorff crafts a stunningly alluring narrative of feminine intimacy” Cocoon (Kokon) is a triumph on the brink of womanhood: a searing portrait of young queerness centred around the lesbian awakening of fourteen-year-old Nora (Jena Urzendowaky). In the sizzling heat of Berlin’s 2018 summer, Nora has many firsts: menstruation, masturbation and smoking marijuana. Yet the core self-discovery of Nora’s…
Read MoreReviews of the short films in Norwich Film Festival’s ‘Women In Film’ strand which shows an array of female-directed shorts.
Read MoreA fierce, uncompromising nightmare from Franco, meant to scream like a vision of a future that’s already revealing itself in the present.
Read MoreWith little knowledge of the private life of the real Mary Anning, Ammonite fills in the gaps with queer pining and fossil hunting.
Read MoreAll of the ingredients are there, but they’ve been swished into a diluted, forgettable cocktail that’s more of a nightcap than a rush to the head.
Read MoreAn efficiently crafted piece of work shrouded in dread and frozen to last.
Read MoreSupernova is a tender, devastatingly gorgeous road trip, brooding with introspection.
Read MoreThe scares are minimal, with a heavy reliance on atmosphere, but stick with it and you’ll find this stylish horror film wanders close to home and burrows underneath the skin.
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