True History illuminates the ways shared fiction gives form and mass to rebellion, and how cult mythology acts as the cornerstone to revolt.
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True History illuminates the ways shared fiction gives form and mass to rebellion, and how cult mythology acts as the cornerstone to revolt.
Read MoreThe tightly-wound, violent energy and the spiralling personal drama coexist in ways I’ve not experienced outside of Cummings’ oeuvre.
Read MoreInspired by James Palmer’s fantastic twitter thread, we’re shaking up the formula and bringing you 9 double bills to inject a bit of fun into your watch parties.
Read MoreFlip Screen’s James Palmer and George Forster are here to make a few TV suggestions to keep you going for the long haul.
Read MoreI had the chance to review the interactive film for Flip Screen before having a video call with its writer, Lynn Renee Maxcy, where she discussed her love of science-fiction, her time working on The Handmaid’s Tale and the challenge of writing and developing an interactive film.
Read MoreJames Palmer and George Forster are here to give you 10 recommendations available online right now to help get you through these hard times.
Read MoreUncut Gems is a beautiful mess, twisting and turning as warring factions scheme over a gemstone, but this isn’t what Uncut Gems is about. It’s about the gambling addiction of its protagonist Howard Ratner.
Read MoreFlip Screen’s George Forster and James Palmer have once again done battle against boredom and compiled all the big stuff coming up this month.
Read MoreEvery year the Oscar nominations invite cinema-goers to debate and argue on whether those nominated are worthy to be honoured.
Read MoreWelcome to Fatness In Film, a new monthly column analysing examples of fat representation and body diversity on screen. Positive depictions of fat bodies are hard to find, but Shrill is a recent example of plus size storytelling done right.
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