A film less concerned with trying to force viewers to sympathise with its characters than simply presenting them, Coming Home in the Dark is a brutal film about institutional abuse and the part its subsequent lifelong pain plays in the cycle of violence.
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The art of camp is both nuanced and outrageously blatant in the best way. It’s like being slapped in the face by a penguin wearing a bedazzled denim jacket – you’re not too sure what’s happening, or why it’s happening, but you damn well notice it…
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To carry on Spooktober, following on from The Twilight Zone last week, I thought I may as well talk about another horror favourite of mine – which is the Universal Monster Movies. Although I wouldn’t class myself as ‘obsessed,’ my monster pillow, Bela Lugosi pin and various small posters in my room is still more…
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Someone who may not be an entirely obvious gay icon is a monstrous amalgamation of grave-robbed body parts. However, despite his odd origins, Frankenstein’s Monster is just that – an icon. Frankenstein has influenced queer art for decades, whether he’s starring in art installations or inspiring some of our favourite cult films like Rocky Horror…
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On the surface, horror may seem like a simple genre; oozing straight-male energy where the only brains involved are dripping down a blood riddled wall. However, the loudest critics of the genre -brandishing this take with the ferocity of a wild axe murderer interrupting a teen party in the woods – seem to be ignoring…
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