GFF REVIEW: ‘Out of the World’ (2021) is Disappointingly One-Dimensional

Screening at Glasgow Film Festival 2021, Marc Fouchard’s serial killer thriller ‘Out of the World’ is disappointingly one-dimensional.

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GFF REVIEW: ‘Surge’ (2021) is an Uncomfortable But Liberating Experience

Ben Whishaw’s Joseph goes on a violent, manic journey through London in Aneil Karia’s uncomfortable but liberating ‘Surge’.

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GFF REVIEW: ‘Eye of the Storm’ (2021) is an Endearing Look at an Artist Late in His Career

Eye of the Storm is an account of the highly celebrated Scottish landscape artist James Morrison in what would, sadly, turn out to be the final months of his life.

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GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic

Following sulky teen AJ on a family caravan holiday she’ll never forget, Marley Morrison’s debut ‘Sweetheart’ is an instant coming of age classic.

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GFF REVIEW: ‘Iorram (Boat Song)’ (2021) is a Gentle Collage of Living History

Iorram is a piece of actual history presented as cinema. Or more accurately, as its subtitle suggests, as a piece of traditional poetry and song.

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GFF REVIEW: ‘The Swordsman’ (2020) is Enjoyable but Nothing New

Despite how snugly The Swordsman fits within this oft-explored genre, it is nonetheless a solidly entertaining piece of work with well-developed characters.

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GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama

Based on the diaries of Mohamedou Ould Slahi from when he was unlawfully held at Guantanamo Bay in the aftermath of 9/11, ‘The Mauritanian’ is a deeply engaging and enraging piece of work.

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GFF REVIEW: ‘Creation Stories’ (2021) is a Self-Indulgent Disappointment

Taking an exciting and fascinating part of British musical history the film chooses to explore it and explain it through one specific pair of rose-tinted glasses.

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GFF REVIEW: ‘Riders of Justice’ Is A Bizarrely Comedic Revenge Rampage

After his wife dies in a train crash, military man Markus (Mads Mikkelsen) seeks revenge. Read our review of ‘Riders of Justice’ from Glasgow Film Festival.

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GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing

Whilst her protagonist is only just finding her feet, Eva Riley’s first feature ‘Perfect 10’ oozes with confidence.

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