VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience

New wave body horror goes IRL in Dasha Nekrasova’s impressive directorial debut.

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REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent

‘Werewolves Within’ is watchable at points but will disappoint anyone who hopes it could reach the potential of its ludicrous concept.

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INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’

One of our editors, McKinzie Smith, hopped on Zoom to talk to ‘The Influencer’ director Meghan Weinstein, as well as the film’s stars Kasia Szarek and Shantell Yasmine Abeydeera.

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REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality

What ‘The Influencer’ understands is that posting will not save us. Salvation has to come from elsewhere, if it will come at all.

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Revisiting Wes Craven’s ‘A Nightmare on Elm Street’ (1984) and Horror’s Obsession with the Female Mind

“What remains brutally unwavering is the violence inflicted on female characters and its link to male fantasy and desire.”

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REVIEW: Chino Moya’s ‘Undergods’ (2021) is a Humorously Bleak Sci-fi Warning of a Future Already Here

Undergods firmly wants you to feel every inch of its bizarre horror landscape of a future that might not only be around the corner but is already here.

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‘Slaxx’ (2020) – You Need to See This Movie About Killer Pants…

What honestly makes this film whole is the writing, because it incorporates all the elements needed to tell a complete story.

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REVIEW: ‘The Banishing’ (2020) is a Sunday Morning Movie

The Banishing is a horror movie built on familiar ground, and despite good intentions never quite surpasses its origins

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Did ‘Hannibal’ (2001) Cannibalise Itself?

Hannibal is 20 years old. It was the long awaited sequel to one of history’s most lauded films, so where does it stand in the film canon now?

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REVIEW: ‘Come True’ (2021) Will Certainly Polarise Viewers

Come True isn’t interested in traditional narrative structures and character arcs, and instead places an emphasis on mood and atmosphere.

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