Our editor-in-chief Hayley Paskevich talks to young filmmaker Avalon Fast about everything from the many different hats she wore during production, to bees and girl cults.
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Our editor-in-chief Hayley Paskevich talks to young filmmaker Avalon Fast about everything from the many different hats she wore during production, to bees and girl cults.
Read MoreIn her paradigm-shifting documentary, feminist filmmaker Therese Shechter explores the lives of childfree women, and examines motherhood as an ingrained societal institution.
Read MoreOur editor-in-chief, Hayley Paskevich, talked to singer-songwriter and filmmaker Martha Tilston about her feature film debut ‘The Tape’.
Read MoreOne of our editors, McKinzie Smith, hopped on Zoom to talk to ‘The Influencer’ director Meghan Weinstein, as well as the film’s stars Kasia Szarek and Shantell Yasmine Abeydeera.
Read MoreOur Editor-in-Chief, Hayley Paskevich, had the opportunity to talk to one of the stars of ‘Glasshouse,’ Jessica Alexander.
Read MoreOur Editor-in-Chief, Hayley Paskevich, talked to director Philippe McKie about ‘Dreams on Fire,’ his new film set in the world of Japanese dance.
Read MoreOur Editor-in-Chief, Hayley Paskevich, talks to ‘Glasshouse’ director Kelsey Egan about her dystopian pandemic fantasy.
Read MoreHayley Paskevich, our Editor-in-Chief, interviewed the cast and producer of ‘Baby, Don’t Cry’ ahead of its world premiere at Fantasia Festival.
Read MoreThis year’s BFI Flare festival was host for numerous world premiere’s, including Australian writer and director Thomas Wilson-White’s feature length debut The Greenhouse.
Read MoreIn conversation with director Lázaro Ramos and lead actress Taís Araújo, we had the opportunity to learn more about the creative choices behind Executive Order.
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