Matthew Macfadyen – Flip Screen

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Brady (Brady Jandreau) from The Rider standing out in the Badlands of South Dakota looking out ahead of himself. In the distance, there's a smaller mountain and the sky is filled with a mixture of dark and light hues amongst the heavy clouds. Brady is centered in the middle of the frame, with his back towards the camera, wearing his signature cowboy hat.

Autumnal Poetry in Motion and Its Subsequent Feelings as Seen in Film

From familial relationships and the underlying meaning of garments to making the most of life while still alive, these films convey the whole spectrum of arguably the most poetic season of all.

The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)

By: Bailey Herdé 19th Dec 202018th Dec 2020

Anniversaries, Essay, Featured, FilmAnniversary, Essay, Film, Joe Wright, Keira Knightley, Matthew Macfadyen, Pride & Prejudice (2005)1 Comment

2020 has been an extremely long and incredibly weird year, one defined by absence: of precedence, of bureaucratic competence, of any semblance of sanity or normalcy. It has also been—mind-numbingly, infuriatingly—a year defined by excess: of death, of time, of news, and, most notably, of distance. Quarantine, social distancing, masks, lockdowns—the language of separation and…