REVIEW: ‘Russian Doll’ (Season 2) is a Fast-Paced Trip Through Time and Trauma

“The show is compulsively entertaining and addictive in the sense that it has a way of leaving room for future possibilities of more stories down the line.”

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REVIEW: ‘Munich: The Edge of War’ (2021) Badly Fumbles A Fresh Look At A Familiar Past

‘Munich: The Edge of War’ is a fresh take on a familiar bit of history, but one that fails to thrill or enlighten.

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‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

“‘Money Heist’ exaggerates almost all aspects of reality, in turn challenging the economic and political status quo.”

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Future Cult Classics Born in 2021

“What I can see is the cult cinema of tomorrow: the films that genre freaks and film school contrarians will use to enhance their Letterboxd favorites with the aura of obscure good taste.”

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REVIEW: ‘Castlevania’s’ (2021) Final Season Is a Fitting End to the Best Video Game Adaptation

Castlevania nearly hits a home run with a satisfying conclusion that only has a couple of bumps along the way.

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REVIEW: The ‘Pieces of a Woman’ (2020) Don’t Add Up

As the film unfolds, “She’s Good” feels symptomatic of Pieces of a Woman’s overall disinterest in the layers of Martha’s emotions, especially her grief.

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REVIEW: ‘Hubie Halloween’ (2020) is Just Another Standard Happy Madison Romp

Obviously, people who already don’t like Adam Sandler are going to hate Hubie Halloween out of principle, but those who love and admire the Sandman are going to enjoy themselves.

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Between the Lines: ScreenplaySubs Creator Talks About the Value of Reading and Watching a Screenplay

I was fortunate enough to have a conversation with Egan Bisma, the person behind ScreenplaySubs, on the conception of the software, how it was made and the benefits of viewing a film in this particular way.

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REVIEW: ‘I’m Thinking of Ending Things’ (2020) is a Paradox of a Film

I’m Thinking of Ending Things is everything and nothing, meaningless but meaningful.

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How ‘The Good Place’ Ended The Nature versus Nurture Debate

‘The Good Place’ fiercely believes that every human being is capable of improving in the right environment; thus, proving in its own way that nurture prevails nature.

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