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Mae Martin standing on stage performing 'Sap.' They are standing centered in the image, smiling and holding one hand on top of their head with a slightly embarrassed expression on their face. Behind them are several trees and greenery, to convey the feeling of being in the forest. Beside them is a log of wood standing upright, with a camping mug placed on top of it. The image conveys feelings of intimacy.

REVIEW: Mae Martin’s ‘Sap’ (2023) Offers a Sliver of Hope in a Disastrous World

With ‘Sap,’ Canadian comedian Mae Martin makes their hour-long comedy special debut feel less like a grand spectacle and more like spending 70 minutes with a friend—in the best way possible.

Half of Miu (Angela Bundalovic) seen as she is wearing her blue tracksuit. Everything around her is black, the only light source is only slightly making her stand out in the darkness. In her left hand she is holding a box of matches, in her right hand—which is raised to almost be at eye-level—she is holding a lit matchstick. She is watching it closely with a firm facial expression.

Nicolas Winding Refn’s ‘Copenhagen Cowboy’ (2023) Is a Compelling and Seductive Experience Out of the Ordinary

By: Rebecca Rosén 30th Mar 202323rd Mar 2023

Essay, Featured, TVaesthetic, Andreas Lykke Jørgensen, Angela Bundalovic, audiovisual, Auteur, cinematography, Cliff Martinez, Copenhagen, Copenhagen Cowboy, costume design, danish, Denmark, Dragana Milutinovic, Drive, Essay, fairy tale, Horror, Jason Hendil-Forssell, Johanne Algren, Julian Winding, Li Ii Zhang, Lola Corfixen, Magnus Nordenhof Jønck, Mona Masri, mythology, neo-noir, netflix, Nicolas Winding Refn, NWR, Per Thiim Thim, Peter Kyed, Peter Peter, pig, pigs, Pusher, Ramadan Huseini, Sara Isabella Jønsson, Streaming, style, substance, superhero, Too Old to Die Young, TV, unconventional, Valentina Dejanović, Valhalla Rising, Visual language, Zlatko BurićLeave a Comment

The latest creation from the Danish auteur proves to be both a compelling and seductive experience for all senses.

Oscars 2023 Predictions — Rebecca

By: Rebecca Rosén 12th Mar 202312th Mar 2023

Awards, Featured, Film, Opinion1917, A House Made of Splinters, a star is born, AACTA, Academy Awards, Alex Bulkley, Alexei Navalny, Alfonso Cuarón, Alice Rohrwacher, All Quiet on the Western Front, All That Breathes, All the Beauty and the Bloodshed, amazon studios, An Irish Goodbye, An Ostrich Told me the World Is Fake and I Think I Believe It, Andrew Goldman, animation, Annie, Anti-war, Apple, Apple TV+, Argentina, Argentina 1985, Ari Wegner, ASC Awards, Au Hasard Balthazar, Avatar: The Way of Water, award season, Awards, Babylon, BAFTA, Bao, Bardo, Belgium, Benj Pasek, Best Animated Feature Film, Best Cinematography, best picture, Beth Levison, Birdman, black panther, Blade Runner 2049, Bloodpop, BSC, Cape Serdtse-Kamen, carol, Caroline Kaplan, Carter Burwell, Cate Blanchett, Catherine Clinch, Chandrabose, Charlie Mackesy, Chris Williams, Climate Change, Close, Colm Bairéad, Cong Su, Crouching Tiger Hidden Dragon, Cyrus Neshvad, Damien Chazelle, Daniel Roher, Darius Khondji, Dean Fleischer Camp, Diane Warren, disney, disney+, Documentary, Documentary Short, Domee Shi, donkey, Drive my car, Edward Berger, EEAAO, Eirik Tveiten, Elisabeth Holm, Elvis, Empire of LIght, environmental, Everything Everywhere All At Once, Evgenia Arbugaeva, False Chronicle of a Handful of Truths, Film, Fire of Love, first time nominess, Florian Hoffmeister, Frida, Gary Ungar, Glory, Golden Globe, gravity, guillermo del toro, Guillermo del Toro's Pinocchio, Guneet Monga, Halifax Explosion, Haulout, How Do You Measure a Year?, Ice Merchants, IDA, Independent Spirit Awards, India, International Feature Film, Ireland, Ivalu, James Friend, Jay Rosenblatt, Jed Schlanger, Jerzy Skolimowski, João Gonzalez, Joel Crawford, John Williams, Joshua Seftel, Justin Hurwitz, Justin Paul, Kartiki Gonsalves, Keeravani, la la land, Lachlan Pendragon, lady gaga, Last Film Show, Laura Poitras, Le Pupille, Lindsey Collins, Lion, Live Action, Lukas Dhont, Malala Yousafzai, Mandy Walker, Marcel the Shell with Shoes On, Mark Gustafson, Mark Swift, Martha Mitchell, Maurice Krafft, Maxim Arbugaev, Maxim Chakilev, Michael Giacchino, Mitski, Monica Hellström, Mudbound, My Year of Dicks, Nan Goldin, Navalny, netflix, Night Ride, Nixon, Opinion, Original Score, Original Song, oscar nominees, oscars, Oscars 2023, Pamela Ribon, Pan's Labyrinth, Parasite, Paul Mezey, Peter & the Wolf, Pinocchio, Pixar, Predictions, Purdue Pharma, Puss in Boots, Rachel Morrison, Rajamouli, Rise Roar Revolt, Riz Ahmed, Robert Bresson, Roger Deakins, Roma, RRR, Ryan Coogler, Ryan Lott, Ryuichi Sakamoto, Sackler family, Sara Gunnarsdóttir, Schindler's List, Se7en, Shane Boris, Shaunak Sen, Shorts, Shrek, Son Lux, Soul, Spider-Man: Into the Spider-Verse, Stranger at the gate, TÁR, Telugu, Tems, The Banshees of Inisherin, The Batman, The Boy, The Elephant Whisperers, The Fabelmans, The Flying Sailor, the Fox and the Horse, The Last Wish, The Lives of Others, The Long Goodbye, The Martha Mitchell Effect, the Mole, The Power of the Dog, The Quiet Girl, The Red Suitcase, The Sea Beast, The Sugarland Express, Three Billboards Outside Ebbing Missouri, Tom Berkeley, Top Gun: Maverick, Trial of the Juntas, Turning Red, uncut gems, Venice, volcanoes, Wings, Wold War ILeave a Comment

Staff writer Rebecca Rosén goes through her Oscars 2023 predictions, including frontrunners and potential surprises within the categories Best Animated Feature Film, Best Cinematography, Best Documentary Feature, Best International Feature Film, and more.

Fall Into the Mysterious Abyss of ‘1899’ and Its Pioneering Commitment to Linguistic Diversity

‘1899’ introduces several theories during its runtime, with some of its details and clues even hiding in plain sight for viewers to discover. This article will predominantly discuss and focus on the importance of linguistic diversity and how it works on multiple levels within the series.

Giovanna seen sitting outside on a ledge with buildings shown out-of-focus behind her. She is wearing ripped light blue jeans and a red/green/blue/yellow checkered jacket with mustard yellow inner lining. She is looking at something to her right, sporting a newly received black eye that is still more red than any other colour. Beside her is her brown bag and three opened bottles of beer.

REVIEW: Delightfully Vibrant With Irresistible Acting, ‘The Lying Life of Adults’ (2023) Beautifully Explores Adolescence in 1990s Naples

Undeniably captivating and passionate, ‘The Lying Life of Adults’ bursts with vibrancy in its portrayal of adolescence, familial relationships, and a divided Naples.

REVIEW: ‘Dead to Me’ Season 3 Unfolds a Poignant, Touching Final Chapter

By: alexapellegrini 4th Jan 20238th Jan 2023

Reviews, TVbrandon scott, christina applegate, Comedy, dead to me, diana maria riva, garret dillahunt, haley sims, james marsden, linda cardellini, mystery, natalie morales, netflix, suzy nakamura, TVLeave a Comment

“For three years, creator Liz Feldman placed Jen Harding (Christina Applegate) and best friend Judy Hale (Linda Cardellini) on the frontlines of loss, cracking open their hearts to let the light in. Their story comes full circle in a hilarious and heart-wrenching conclusion true to the show’s themes and ideals.”

Still showing Moses Storm (Trash White) from a distance, as he is standing on his stage that is surrounded by various objects and junk painted white. He is wearing all white, and the spotlights highlight both him and his stage. Image courtesy of HBO Max.

The Best Comedy Specials of 2022

By: Rebecca Rosén 31st Dec 202231st Dec 2022

Featured, List, TV2022, A League of Their Own, Ali Siddiq, ali wong, Almost, America’s Funniest Home Videos, Atsuko Okatsuka, best of, best of 2022, cabaret, Cinnamon in the Wind, Class, Cold Lasagne Hate Myself 1999, Comedy, Comedy Special, Daniel Sloss, David A. Arnold, Debut, Don Wong, don't worry darling, Fire Island, Fortune Feimster, french, Good Fortune, hbo, HBO Max, Henry Koperski, hulu, Intimate, It Ain't for the Weak, James acaster, Jerrod Carmichael, Joel Kim Booster, KATE, Kate Berlant, List, Look at You, Mitch Hedberg, Moses Storm, Mr Bean, Ms Pat, netflix, Panayotis Pascot, Personal, Presque, Psychosexual, Reflection, Ronny Chieng, Rothaniel, Self-reflective, Sheng Wang, Socio, Speakeasy, Stand up, Stand-up, Storytelling, Streaming, Sweet & Juicy, Sweet & Salty, Sweet and Juicy, Sweet and Salty, Taylor Tomlinson, TED Talk, The Domino Effect, The Intruder, The Twist…? She’s Gorgeous, Trash White, TV, TV Special, Would it Kill You to Laugh?, Y'all Wanna Hear Something Crazy?, youtubeLeave a Comment

Even if one can’t heal the world with comedy, one certainly can try. From the radically intimate and laidback to the extravagantly oversized, this article lists twelve of the best comedy specials released in 2022 that undoubtedly try to provide some comfort through the darkness.

LFF 2022 REVIEW: A Baumbachian Descent into Calamity Culture and Disaster for ‘White Noise’

By: Tilly Long 3rd Nov 202230th Mar 2023

Essay, Featured, Festivals, FilmEssay, Film, netflixLeave a Comment

“As Baumbach satirises consumer culture, he in turn finds dignified meaning to the lives of Delilo’s terrified counterparts” The notes I made during Noah Baumbach’s screen talk following his new film’s premiere at the London Film Festival range from abstract at best to unintelligible at worst. Sitting across from my favourite director of modern times,…

A still from 'Bodies Bodies Bodies'. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) share a moment looking at each other laying on the grass.

From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror

By: Hayley Paskevich 31st Oct 202231st Oct 2022

Essay, Featured, Film, TVa24, Bodies Bodies Bodies, Essay, fear street, Film, Horror, netflix, queer, queer horror, television, The Haunting of Bly ManorLeave a Comment

“Not only are each of these projects situated within specific subgenres of horror, they also feature very queer, very human protagonists. What makes this fact even more notable is the fact that none of them were marketed to audiences on the basis of queer content, instead placing the focus on their genre.”

Taking part in New York City's Pride March, Leo Baker is shown from behind, lightly turning his head to smile towards someone outside the frame. He's wearing a white tank top, a black harness and a short haircut. Out of focus in front of him is many people and buildings seen, as well as several rainbow flags.

REVIEW: ‘Stay on Board: The Leo Baker Story’ (2022) Is Intimate and Powerful All at Once

Caught between the pain of being celebrated under a persona that solely elicits pain and being terrified of what might transpire with honesty, Stay on Board: The Leo Baker Story ultimately illustrates how much richer the world is when people are free to be who they are.