NYFF REVIEW: ‘I Carry You With Me’ (2020) Tenderly Examines the Price of the American Dream

More than a love story, I Carry You With Me (Te Llevo Conmigo) (2020) tells an immigrant tale of longing and sacrifice. With immense empathy for its characters, this film probes at the myth of the American dream and revels in the melancholy its premise promises.

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NYFF REVIEW: ‘Beginning’ (2020) is a Quietly Harrowing Evocation of Self-Realization

“Beginning is an assured feature debut with an unfortunately opaque focus on female trauma.”

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NYFF REVIEW: ‘Beanpole’ (2019) Shines a Light on Postwar Female Solidarity and Anguish

“Masterful direction paired with spontaneous moments of brilliant vulnerability lead to a mortal examination of the female experience that never feels cloying or objectifying.” Iya (Viktoria Miroshnichenko) is a nurse who suffers from post-concussion syndrome and PTSD caused by her time as a soldier at the front lines of the war. This results in fits…

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NYFF REVIEW: “The Only Thing Spookier Than the Undead is the White Male Gaze” – ‘Zombi Child’ (2019)

“Seeing the girls as larger, abstract ideas instead of as human beings weighs down the overall film.” In 1960s Haiti, a man named Clairvius Narcisse was said to have been poisoned and brought back from the dead as a zombie in order to be put to work as a slave on a plantation by a…

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NYFF REVIEW: “A reason to cry over spilled milk” – First Cow (2019)

“Their world feels real, making room for the friendship to feel real too.” In order to survive in a world ruled by colonialist American dreamer greed, is there any room for genuine kindness and friendship? Is scamming the only way to scrape by if you were not born directly into the top ranks? In 1820s…

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