Half of Miu (Angela Bundalovic) seen as she is wearing her blue tracksuit. Everything around her is black, the only light source is only slightly making her stand out in the darkness. In her left hand she is holding a box of matches, in her right hand—which is raised to almost be at eye-level—she is holding a lit matchstick. She is watching it closely with a firm facial expression.

Nicolas Winding Refn’s ‘Copenhagen Cowboy’ (2023) Is a Compelling and Seductive Experience Out of the Ordinary

By: Rebecca Rosén
Essay, Featured, TV, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a Comment on Nicolas Winding Refn’s ‘Copenhagen Cowboy’ (2023) Is a Compelling and Seductive Experience Out of the Ordinary

The latest creation from the Danish auteur proves to be both a compelling and seductive experience for all senses.

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A young white woman with a tall blonde ponytail staring intently at a Black woman around the same age with long wavy hair. They are in a room full of green and orange lights and mirrors.

Future Cult Classics Born in 2021

By: McKinzie Smith
Film, Opinion, , , , , , , , , , , , , Leave a Comment on Future Cult Classics Born in 2021

“What I can see is the cult cinema of tomorrow: the films that genre freaks and film school contrarians will use to enhance their Letterboxd favorites with the aura of obscure good taste.”

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