REVIEW: ‘In Her Hands’ (2020) is a Heart-warming, if Heavily Clichéd, Demonstration of the Power of Music

Ludovic Bernard’s in Her Hands is certainly far from perfect, but it succeeds in sweeping you up into an often-satisfying emotional journey, eventually leaving you at peace.

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REVIEW: ‘Clemency’ (2019) is a Quiet, Devastating Study on the People Involved with Death Row

lemency, directed by Chinonye Chukwu, is a very different kind of prison drama: one that avoids exaggerated clichés and instead opts for an intense, realistic look into death row executions.

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REVIEW: ‘Fanny Lye Deliver’d’ (2019) is an Offbeat Feminist Folk Horror

A comic folk horror that erupts into a feminist story of woman’s rebirth and fiery retribution.

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REVIEW: ‘Z’ (2020) is an Imaginary Friend from Hell

Z is an entertaining, competently shot exploration of parental fears and the vivid imagination of children.

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REVIEW: ‘Normal People’ (2020) by Sally Rooney – From Page to Screen

Sally Rooney’s Normal People, winner of the 2018 Costa Novel Award, premiered on BBC3 at the end of April. Having read the book, with its nonlinear narrative and lack of speech marks, it was exciting to see how it would translate on to the screen.

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REVIEW: Queer Vampire Film ‘Bit’ (2019) Is Unafraid to Sink its Teeth Into Feminism

While on the surface Bit (2019) may seem like just another campy teen horror film, the reality is that it offers its audience far more than mindless entertainment.

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Review: ‘Tales from the Loop’ (2020) is a Quiet Meditation on the Human Condition

Most anthology series have glaring differences in quality but Tales from the Loop stands out for having strong episodes throughout. Sure there are episodes that aren’t as engaging but every episode has an interesting story, stunning cinematography and incredible music.

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REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward

Video games and films are different mediums, yet their respective industries are adamant that they share enough similarities to blend the two together. Here, we have the live-action interactive science-fiction film, The Complex.

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Battle of the Killer Prom Nights

Remakes versus originals, old versus new, and so on. Hollywood loves to remake its beloved classics, more notably, their horror classics. Franchises like Halloween, Texas Chainsaw Massacre, and Friday the 13th have been rebooted numerous times. With so many redo’s and re-adaptations, arguments circle around which is better: the original or the remake. Though many would argue the original, this is not always the case. Some remakes score farther and higher than their predecessors, so we want to look at some remade classics to determine which is the superior.

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Review: ‘The Wolf Hour’ (2020) Naomi Watts Melts Away in Half-Baked Thriller

June’s self-imposed exile amidst a city going mad under the sun and in the shadow of a serial killer is perhaps a strange inversion to the current global isolation gripping the world.

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