REVIEW: Mike Cahill’s Sci-fi Drama ‘Bliss’ (2021) Gets Lost in a Silly, Weightless Plot

Not even Owen Wilson and Salma Hayek can rescue this dull sci-fi fantasy from glitching all over the place, and you’d expect a double act of this calibre to be a lot more fun than it is

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REVIEW: In Series Four, ‘Search Party’ Returns to Its Roots

Seeing the characters so inverted brings the show back to its roots, but this time viewers know both sides of the story from the start.

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REVIEW: Brea Grant’s Frenetically Fun Dark Horror Comedy ‘12 Hour Shift’ (2020) Flies Past

Grant’s film treads a fine line of stone-faced humour, exploitation, and bloody violence, but a female centric cast and memorable performances make this an energetic and curious calling card

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REVIEW: ‘Away’ (2019) is a Wondrous Artistic Achievement

See it on the biggest screen, with the best sound and in the darkest room, Zilbalodis’ remarkable animation will make you feel like you’re flying

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REVIEW: The ‘Pieces of a Woman’ (2020) Don’t Add Up

As the film unfolds, “She’s Good” feels symptomatic of Pieces of a Woman’s overall disinterest in the layers of Martha’s emotions, especially her grief.

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REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck

“A joy to watch… [a] documentary not so much concerned with hard historical facts as it is with the brothers as they experienced each other, themselves, and their fame.”  How Can You Mend A Broken Heart begins with the quintessential. A pared down, echoey version of “Stayin’ Alive”—probably the Bee Gees song to end all…

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REVIEW: Jim Cummings is Back With a Bite in ‘The Wolf of Snow Hollow’ (2020)

The tightly-wound, violent energy and the spiralling personal drama coexist in ways I’ve not experienced outside of Cummings’ oeuvre.

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REVIEW: ‘A Ghost Waits’ (2020) is a Heart-wrenching and Hilarious Horror Comedy

A Ghost Waits creates a delicate tonal balance of humor, genuinely tender moments, and existential dread that never lets the audience escape the emotional turmoil of life and death.

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REVIEW: ‘American Utopia’ Shows David Byrne Is As Good As He Ever Was

David Byrne has the most calming presence I’ve ever witnessed. 36 years after the ground-breaking Stop Making Sense, David Byrne is still taking our expectations of concerts and theatre, elevating them to a higher level that only a frontman like him could do. Stop Making Sense was more than just a concert, it was performing…

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