REVIEW: 'Corpus Christi' (2019) is a Meditation on the Paradoxes of Faith

We all make mistakes, but sometimes those mistakes hurt others, even taking their lives. Do people who hurt others deserves forgiveness?

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REVIEW: 'American Psycho (2000)' is More Than Just An American Horror Story

2020 marks the 20th anniversary of Mary Harron’s American Psycho. Since its $34 million theatrical release, the film has gained a serious social media cult following full of Patrick Bateman profile pictures and shared images. However, this film has more to offer than really good memes. In American Psycho, writers Harron and Guinevere Turner take a story about a corporate sadist and turn it into a horrifying and comedically gory deconstruction of toxic masculinity.

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REVIEW: 'Black Christmas' Reworks a Classic For the 21st Century

Bob Clark’s Black Christmas (1974) was a game-changer for the horror genre. It’s often cited as one of the first-ever slasher films and was a major inspiration for John Carpenter’s Halloween (1978). It also originated the frequently quoted line, appearing in spoofs and countless other films: “The call is coming from inside the house!” Needless to say, when remaking the film for a 2019 audience, Sophia Takal (director and writer) and April Wolfe (writer) had big shoes to fill. And, a young horror fan, I think they did a fantastic job. 

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REVIEW: 'Le Mans '66' is a Glorious Celebration of What America Wishes It Still (or Ever) Was

A self-assured pat on the back of the good old days, Le Mans ’66 basks in a rather cliché serving of 60s Americana, and is, frankly, all the better for it.

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LFF REVIEW: Marielle Heller’s ‘A Beautiful Day in the Neighbourhood’ (2019) is Worthy of Being A Front-Runner for Awards

“It has been crafted into something unique between being moving and heartbreaking” Coming in as a British viewer, you would be excused for thinking that the emotional connection might be missing for Mr Rogers and his brand of family entertainment. While his show never really made its way from America to the UK, we certainly…

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LFF REVIEW: “A massive shock to the system” – Uncut Gems (2019)

“Feels like a constant adrenaline shot to the system” The predictions for this year’s London Film Festival (LFF) surprise film was always between two highly anticipated pictures, Parasite and Uncut Gems. Even with the tease of “who likes musicals? Who likes cats?” didn’t convince the crowd as the Safdie Brothers, introduced their latest effort to…

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LFF REVIEW: “One of the best ‘Zom-Coms’ going” – ‘Little Monsters’ (2019)

“Moments of sincerity that push this above other horror comedies” Since her Best Supporting Actress win at the Oscars back in 2014 for her role in 12 Years a Slave, Lupita Nyong’o has been crying out for a lead role that can showcase her talents fully. Her work in Queen of Katwe and Black Panther…

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REVIEW: “The Potential For Some Truly Dazzling Imagery Goes Somewhat Unfulfilled” – ‘Bunuel In The Labyrinth of the Turtles’

“For anyone with an interest in the life of Bunuel or the European surrealists of the early 20th century.” As a medium where almost anything can be depicted, animation seems like the perfect tool for surrealism, and as such has been utilised by filmmakers ranging from David Lynch to Hayao Miyazaki. Luis Bunuel, despite the…

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REVIEW: “An arrow perfectly aimed at the 1%” – ‘Ready or Not’ (2019)

★★★★ “Punchy political satire with captivating performances” If you think you know where Ready or Not is heading, look behind you and reload your antique hunting weapon, because you’ve got a long night ahead of you. Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not nudges the bounds of the horror-comedy genre to produce a laugh-out-loud…

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