REVIEW: ‘Old’ (2021) – Twisty Thriller Marks a Confident Shyamalan Return

Much like every other movie from Shyamalan’s filmography, this film leaves the viewer hanging on the edge of their seat for the entire runtime.

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Top of the Docs #53 – SHEFFIELD DOC/FEST REVIEW: ‘Factory to the Workers’ (2021)

‘Factory to the Workers’ explores the only example of a working factory co-operative in post-socialist Europe, examining its triumphs, its shortcomings, and what is holding it back.

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REVIEW — ‘Hungry Hearts’ (2014) Has Rich Ideas and Depth Beyond an Awkward Surface

A dark look at parenthood and the exceptional challenges it can bring, but its homage to great cinema doesn’t quite pay off.

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REVIEW: ‘Recovery’ (2021) Might Just Be the Medicine the World Needs

Recovery — Mallory Everton and Stephen Meek’s astonishing road trip comedy about the early days of the pandemic — cinematizes the phrase “someday you’ll look back at this and laugh.”

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BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers

PS: Burn This Letter Please goes beyond the chronological scope of the letters, providing measured glimpses of New York’s queer history.

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REVIEW: ‘Wonder Woman 1984’ (2020) is Good, But It Could Be Better

However, despite the many elements that work in its favour, Wonder Woman 1984 isn’t without its flaws.

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REVIEW: Jim Cummings is Back With a Bite in ‘The Wolf of Snow Hollow’ (2020)

The tightly-wound, violent energy and the spiralling personal drama coexist in ways I’ve not experienced outside of Cummings’ oeuvre.

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NIGHTSTREAM REVIEW: Isolation and Paranoia Unravel Reality in ‘Bleed With Me’ (2020)

With her feature film debut, writer/director Amelia Moses delivers a psychologically complex film very much aware of its place in the horror cabin trend. Both embracing and subverting the promise of its setting, Bleed With Me (2020) offers an unsettling atmosphere that expands far beyond the confines of a screen.

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REVIEW: ‘Psych 2: Lassie Come Home’ (2020) Has Matured, But Not Too Much

Long-time fans will thoroughly enjoy Lassie’s triumphant return and feel like they, too, are coming home.

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