“In ‘Succession’, any attempt to leave Logan Roy’s orbit can only end in despair.”
Read More
All articles filed in Reviews
REVIEW: ‘Resident Evil: Welcome To Raccoon City’ (2021) Is A Movie Franchise Killer
‘Resident Evil: Welcome to Raccoon City’ brings the franchise back to the big screen, but with no more to offer than previous failures.
Read More
REVIEW: ‘Agnes’ (2021) is a Promising Take on the Nunsploitation Genre
“While Mickey Reece’s ‘Agnes’ (2021) is largely marketed as a horror film that draws upon the tired tropes of demonic possession and religious exorcism central to the nunsploitation genre, it surprises audiences by emerging as a haunting tale of grief, young motherhood and loss.”
Read More
REVIEW: ‘The Power of the Dog’ (2021) Evokes Unspoken Desires and the Meaning of Masculinity
“‘The Power of the Dog’ is Jane Campion’s first feature in more than ten years. It’s menacing and mysterious in its narrative, and presents itself to reveal something truly spectacular.”
Read More
REVIEW: ‘I’m An Electric Lampshade’ (2021) Has A Weak Spark of Life
This tale of accountant-turned-artist is never clearly docudrama or pure fiction, making for a bizarre watch.
Read More
BHFF Review: In ‘Good Madam’ (2021), Fear Lives In the Fingertips
“Taking up the mantle of other bright stars of the creepy-old-lady-upstairs subsection of the genre, ‘Good Madam’ offers an interesting take on horror that passes, first and foremost, through the hands.”
Read More
LFF REVIEW: ‘The Souvenir: Part II’ (2021) an Exquisite End to Hogg’s Memoir
‘The Souvenir Part II’ takes off from exactly where Part I left us, and gives us a beautifully cyclical inverse to the story.
Read More
REVIEW: ‘Wildfire’ (2020) is a Sensational Debut
This film is raw, unbearably so at times, as the two leads expertly portray both strength and vulnerability.
Read More
LFF REVIEW: ‘Memoria’ (2021)– Apichatpong’s Transcendental Journey to Colombia
“‘Memoria’ takes its audience on a journey to somewhere wholly unexpected, yet upon arrival, it’s clear that the film couldn’t end anywhere else.”
Read More
VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience
New wave body horror goes IRL in Dasha Nekrasova’s impressive directorial debut.
Read More
Flip Screen 