“Despite toying with the idea of ghosts and the afterlife as physical manifestation in its meandering runtime of almost two hours, the film arguably tends to veer more into the lane of melodrama than horror.”
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“Despite toying with the idea of ghosts and the afterlife as physical manifestation in its meandering runtime of almost two hours, the film arguably tends to veer more into the lane of melodrama than horror.”
Read MoreUndeniably captivating and passionate, ‘The Lying Life of Adults’ bursts with vibrancy in its portrayal of adolescence, familial relationships, and a divided Naples.
Read More‘High School’ treats its characters with grace and understanding, even in their most vulnerable moments.
Read More“’Nothing Compares’ tells the story of a young girl turned woman who voiced her views through music, using it to protest and spread messages of the ongoing crisis of the world, which she still continues to do.”
Read MoreCatherine Called Birdy catches filmmaker Lena Dunham at her most confident yet
Read More“Östlund can dress entertainment in an intellectual cloak and give it a unique taste like no one else” There’s no doubt that Ruben Östlund is one of the best mockers of contemporary cinema today. As the director has mentioned, his previous films The Square (2017) and Force Majeure (2014) were about people trying to avoid…
Read MoreA24’s newest endeavour takes the plunge but comes up weak in Aftersun
Read MoreCaught between the pain of being celebrated under a persona that solely elicits pain and being terrified of what might transpire with honesty, Stay on Board: The Leo Baker Story ultimately illustrates how much richer the world is when people are free to be who they are.
Read More“Even though the limited series has an interesting cast, ‘Echoes’ leaves the audience confused and is hard to keep up with.”
Read More“‘Sick of Myself’ is a film that feels like a fever dream because it crosses all lines of sanity to the point where the viewer has no choice but to succumb into the madness.”
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