LFF REVIEW: ‘Possessor’ (2020) is an Engrossing, Nihilistic Dreamscape

What we do get, however, is a stylish blood-soaked thriller bolstered by strong performances and a strong visual identity.

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REVIEW: Tenet (2020) Strives to Break New Ground

Tenet is a ferocious film that moves forwards and backwards at an alarming rate

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REVIEW: Shudder Original ‘The Beach House’ (2020) is Neither Scary nor Memorable

Although The Beach House has all the ingredients of a smart low-budget terror, it has none of the bite.

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REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward

Video games and films are different mediums, yet their respective industries are adamant that they share enough similarities to blend the two together. Here, we have the live-action interactive science-fiction film, The Complex.

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REVIEW: ‘Color Out of Space’ (2020) A Technicolour Wonder of Cosmic Horror

From the producers of Mandy, Color Out of Space is a technicolour wonder of cosmic horror and Nicolas Cage insanity.

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The Father’s Frontier: Familial Separation in Modern Space Movies

With a fully-armed and operational Star Wars franchise in play, cinematic portrayals of the great unknown which don’t belong to a galaxy far, far away have truly had their work cut out. Financially and in terms of sheer screen space, the Skywalker saga (and its various spin-offs) has dominated the sci-fi landscape. But as this…

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