In this special International Women’s Day edition of Roles in Retrospect, two of our staff writers reflect on the actresses’ past performances that are memorable to them.
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In this special International Women’s Day edition of Roles in Retrospect, two of our staff writers reflect on the actresses’ past performances that are memorable to them.
Read More“‘Found Family’ (2021) is a sweet addition to the lesbian bildungsroman in film.”
Read More“While Mickey Reece’s ‘Agnes’ (2021) is largely marketed as a horror film that draws upon the tired tropes of demonic possession and religious exorcism central to the nunsploitation genre, it surprises audiences by emerging as a haunting tale of grief, young motherhood and loss.”
Read MoreRefusing to place all its hopes in both state and religion as god-given arbiters of justice, season two of ‘Evil’ reinvents the crime procedural by suggesting that ideas of good and bad are not given, but made, remade, and brutally scapegoated onto people.
Read More‘Mrs Fletcher’ is really about the terrible mundanity and loneliness of learning how to be a person again.
Read MoreWhile Big Little Lies has executed one of the most empathetic and nuanced portrayals of sexual trauma, its poor grasp on racial dynamics leaves much to be desired.
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