From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror

“Not only are each of these projects situated within specific subgenres of horror, they also feature very queer, very human protagonists. What makes this fact even more notable is the fact that none of them were marketed to audiences on the basis of queer content, instead placing the focus on their genre.”

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‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror

“Some might prefer their horror to be cynical and nihilistic, but Flanagan’s is a unique kind of optimism, one that leaves tragedy and trauma in its wake but still engenders hope and empathy.”

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