TRIBECA 2022 REVIEW: ‘The Year Between’ (2022) Fails to Make a Statement on Comedy and Bipolar Disorder

“Lacks plot structure and the performances can vary” Alex Heller’s The Year Between is an edgy dark comedy that follows 20-something Clemence’s (Heller) life as she is diagnosed with bipolar disorder. Heller, who directs, writes, and stars in the movie, reflects on her personal experience. But the many circumstances in the movie make it difficult…

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TRIBECA 2022 REVIEW: ‘Cherry’ (2022) is a Sympathetic Look at a Delicate and Difficult Topic

“Presents a delicate topic with a sympathetic perspective, but feels amateurish at times” Sophie Galibert’s Cherry portrays a woman’s struggles through an unplanned pregnancy. With the uncertainty of the Roe vs. Wade ruling being overturned in the Supreme Court, movies that discuss abortion are more important than ever. There are many factors that contribute to…

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TRIBECA 2022 REVIEW: ‘Family Dinner’ (2022) Delivers the Terrors of Meat in a Slow-Burning Carnage Feast

“‘Family Dinner’ has a unique story with an interesting ending that highlights the enormous strength one character can hold.”

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TRIBECA 2022 REVIEW: ‘My Love Affair with Marriage’ (2022) Threads Together Animation and Science through Song

“These issues within the chemistry of people’s brains are important for people to understand, especially young girls and women.” Signe Baumane’s My Love Affair with Marriage is a coming-of-age story about young Zelma (voiced by Dagmara Dominczyk), who discovers that songs and fairy tales about love will solve her problems. An exploration of love, sex,…

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Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance

While film history contains many portrayals of backstabbing women on the verge of a breakdown, Always Shine offers the idea that the terrifying thing isn’t women themselves but rather the limiting roles society provides for them (along with the disastrous results they lead to).

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