With possibly the best title within its category, the comedy special ‘Would It Kill You to Laugh?’ allows Kate Berlant and John Early to shine doing what they do best — all while simultaneously tempting viewers about what they might create in the future.
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An analysis of the nuanced layers found throughout ‘Three Busy Debras,’ a comedy series where the surreal feels grounded and the ugly is hiding out in the (whimsical) open.
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From under-the-radar comedies to emotionally stirring period dramas, and everything in between, here’s what some of the Flip Screen team had to say about the recent shows and films with LGBTQ+ themes and characters that resonated with them.
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“The show is compulsively entertaining and addictive in the sense that it has a way of leaving room for future possibilities of more stories down the line.”
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“‘Money Heist’ exaggerates almost all aspects of reality, in turn challenging the economic and political status quo.”
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“In ‘Succession’, any attempt to leave Logan Roy’s orbit can only end in despair.”
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‘Yellowjackets’ challenges the idea that women are communal in times of crisis, while highlighting the power and necessity of female rage in film.
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Refusing to place all its hopes in both state and religion as god-given arbiters of justice, season two of ‘Evil’ reinvents the crime procedural by suggesting that ideas of good and bad are not given, but made, remade, and brutally scapegoated onto people.
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While female representation in the media still continues to evolve, it is progressing. One thing is for sure: the 2000s gave storytellers and writers an adequate blueprint of female representation.
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‘Resident Evil: Infinite Darkness’ is the franchise’s latest attempt to break out of video games, but this politics-heavy thriller doesn’t do anything to break the mold.
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