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ARCHIVE

  • NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days
    10th Dec 2024

    NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days

    Alysha Lindvik
  • Sundance 2024 REVIEW: ‘How to Have Sex’
    27th Jul 2024

    Sundance 2024 REVIEW: ‘How to Have Sex’

    Alysha Lindvik
  • Sundance 2024 REVIEW: ‘Freaky Tales’
    22nd Jul 2024

    Sundance 2024 REVIEW: ‘Freaky Tales’

    Alysha Lindvik
  • Sundance 2024 REVIEW: ‘Love Lies Bleeding’
    22nd Jul 2024

    Sundance 2024 REVIEW: ‘Love Lies Bleeding’

    Alysha Lindvik
  • REVIEW: Emma Seligman’s Queer Romp ‘Bottoms’ (2023) is This Year’s Horniest, Raunchiest Teen Comedy
    14th Nov 2023

    REVIEW: Emma Seligman’s Queer Romp ‘Bottoms’ (2023) is This Year’s Horniest, Raunchiest Teen Comedy

    Alysha Lindvik
  • REVIEW: ‘Talk to Me’ (2023) Puts the Full Weight of One’s Grief on Display
    7th Oct 2023

    REVIEW: ‘Talk to Me’ (2023) Puts the Full Weight of One’s Grief on Display

    Alysha Lindvik
  • REVIEW: ‘Past Lives’ (2023) is a Meditation on Love, Loss, and Fate
    31st May 2023

    REVIEW: ‘Past Lives’ (2023) is a Meditation on Love, Loss, and Fate

    Alysha Lindvik
  • REVIEW: ‘Missing’ (2023) Criticises Society’s Obsession With True Crime
    12th May 2023

    REVIEW: ‘Missing’ (2023) Criticises Society’s Obsession With True Crime

    Alysha Lindvik
  • REVIEW: ‘Dungeons & Dragons: Honor Among Thieves’ (2023) Brings an Iconic Game to Life
    23rd Apr 2023

    REVIEW: ‘Dungeons & Dragons: Honor Among Thieves’ (2023) Brings an Iconic Game to Life

    Alysha Lindvik
  • REVIEW: ‘Skinamarink’ (2022) Brings Childhood Fears to Life
    9th Mar 2023

    REVIEW: ‘Skinamarink’ (2022) Brings Childhood Fears to Life

    Alysha Lindvik
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