“People are All We’ve Got”: Finding Hope in Humanity and Other People

By: carolinehvd
Essay, Featured, TV, , Leave a Comment on “People are All We’ve Got”: Finding Hope in Humanity and Other People

The flamboyant cast of characters goes through heartbreak, grief, unbearable family dinners, vain attempts at human connection, fear of failure, and for the most part, universal experiences. The series feels very down to earth, and its relatability is one of its greatest assets. It carries out a message of hope.

Read More
A school girl sits across from her high-school teacher. They are perhaps sat too close, with the girl’s outfit and stance somewhat suggestive.

Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

By: lrostant
Essay, Featured, Film, Opinion, , , 1 Comment on Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

Between 2004-2005, two audacious films sought to explore the long-mythologised concept of female desire.

Read More
Mike (Mark Duplass) and Hannah (Greta Gerwig) as they're next to each other. Captured from the waist up, Mike is wearing casual clothing, including a dark marine t-shirt, while Hannah is wearing a green triangle bikini halterneck top. Mike is lightly leaning towards Hannah, while Hannah's hands are resting casually on her stomach. They're both looking deeply into each other's eyes. Hannah is wearing a pair of coloured (pink and black with white straps) swimming goggles over her eyes and nose, and Mike is wearing a similar pair (in light neon green with transparent straps) on top of his forehead.

Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

By: Rebecca Rosén
Anniversaries, Essay, Featured, Film, , , , , , , , , , , , , , , , , , , , Leave a Comment on Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

To celebrate Joe Swanberg’s 40th birthday, we look back at his career to discuss the fearless and original ways he explores intimacy, communication, and the general strengths and weaknesses of human behaviour.

Read More

REVIEW: Time is Treacherous in ‘The Father’ (2021)

By: carolinehvd
Film, Reviews, , Leave a Comment on REVIEW: Time is Treacherous in ‘The Father’ (2021)

As a viewer, we have to make sense of the snippets of information we gather, both from Anthony’s unsound statements and remembrances, and from his family, in order to figure out the wrongs from the rights. Getting a sense of the bigger picture in its most authentic form, and distinguishing the truth from delusion alongside the protagonist becomes a challenging task.

Read More
Two young boys wearing colourful summer clothes, with big smiles and holding branches. A man stands beside them, wearing a hat and an excited expression while holding up moss. All three of them are in front of a body of water.

The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)

By: Katie Coxall
Essay, Featured, Film, , , Leave a Comment on The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)

Nostalgic and warm, ‘Boy’ is a film that centres around youthful optimism and never wavers from the belief that life can be both hard and happy.

Read More

FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery

By: Hayley Paskevich
Festivals, Film, Reviews, , , Leave a Comment on FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery

For those seeking a gripping family drama with elements of fantasy and horror, ‘Martyrs Lane’ is worth taking a trip down.

Read More
Julianne Moore as Julian in Children of Men stands in front of a newspapered window. A yellow lamp illuminates her from behind.

‘Children of Men’ (2006) and the Birth of Hope

By: Emily Gett
Essay, Featured, Film, Leave a Comment on ‘Children of Men’ (2006) and the Birth of Hope

As we follow Kee and Theo’s journey, ‘Children of Men’ shows us what a little hope can do to a person’s whole outlook on life, and the extent that they will go to to keep that hope alive.

Read More
A yellow van with its doors open on a stretch of road. Two men are seen inside, while a woman and a young girl run beside it. The girl is wearing a bright red top and jean shorts, while the woman wears a white jacket and pink jeans. Two men run behind the van— one wearing white and one wearing black— helping to push it.

The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)

By: Mariana Delgado
Essay, Featured, Film, , Leave a Comment on The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)

“It takes the entire Hoover family pushing a bright yellow van, a few stops along the way, and a dead body in the back of the trunk for them to gain back what they lost.”

Read More

FANTASIA 2021 CAPSULE REVIEWS: ‘Stanleyville’ (2021) and ‘Don’t Say Its Name’ (2021)

By: Hayley Paskevich
Featured, Festivals, Film, Reviews, , , , Leave a Comment on FANTASIA 2021 CAPSULE REVIEWS: ‘Stanleyville’ (2021) and ‘Don’t Say Its Name’ (2021)

Brief reviews of two exciting new films screened as part of Fantasia 2021— Maxwell McCabe-Lokos’ ‘Stanleyville’ and Rueben Martell’s ‘Don’t Say Its Name’.

Read More
A young brunette woman seen from the shoulders up. Greenery is out of focus behind her, and she gazes at something off-screen.

FANTASIA 2021 INTERVIEW: ‘Glasshouse’ – Jessica Alexander

By: Hayley Paskevich
Featured, Festivals, Film, Interview, , , 1 Comment on FANTASIA 2021 INTERVIEW: ‘Glasshouse’ – Jessica Alexander

Our Editor-in-Chief, Hayley Paskevich, had the opportunity to talk to one of the stars of ‘Glasshouse,’ Jessica Alexander.

Read More