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ARCHIVE

  • REVIEW: ‘Jumbo’ Is An Inventive Hybrid of a Modern Love Story and a Full-Body Sensory Experience
    9th Jul 2021

    REVIEW: ‘Jumbo’ Is An Inventive Hybrid of a Modern Love Story and a Full-Body Sensory Experience

    Ariel Kling
  • REVIEW: ‘Babyteeth’ (2019)  is a Daring Tale of Young Love that May Literally Send Shivers Down Your Spine
    1st Jul 2020

    REVIEW: ‘Babyteeth’ (2019) is a Daring Tale of Young Love that May Literally Send Shivers Down Your Spine

    Ariel Kling
  • REVIEW: ‘Blood Quantum’ (2020) is a Fascinating Native Reinvention of the Age-Old Zombie Genre 
    23rd May 2020

    REVIEW: ‘Blood Quantum’ (2020) is a Fascinating Native Reinvention of the Age-Old Zombie Genre 

    Ariel Kling
  • REVIEW: ‘Never, Rarely, Sometimes, Always’ is a Striking Feminist Manifesto on Unwanted Teenage Pregnancy
    25th Apr 2020

    REVIEW: ‘Never, Rarely, Sometimes, Always’ is a Striking Feminist Manifesto on Unwanted Teenage Pregnancy

    Ariel Kling
  • The Césars 2020: A Shameful Evening for French Cinema
    1st Mar 2020

    The Césars 2020: A Shameful Evening for French Cinema

    Ariel Kling
  • Resurrecting Cluzot’s ‘L’Enfer’ (1964) in 2020
    25th Feb 2020

    Resurrecting Cluzot’s ‘L’Enfer’ (1964) in 2020

    Ariel Kling

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