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ARCHIVE

  • REVIEW: ‘Homeward’ (2021) Is Ukraine’s Unlikely Road Trip Oscar Nomination
    23rd Apr 2021

    REVIEW: ‘Homeward’ (2021) Is Ukraine’s Unlikely Road Trip Oscar Nomination

    Emily Maskell
  • REVIEW: ‘Sequin In A Blue Room’ (2021) A Visceral Queer Coming-Of-Age Drama
    9th Apr 2021

    REVIEW: ‘Sequin In A Blue Room’ (2021) A Visceral Queer Coming-Of-Age Drama

    Emily Maskell
  • BFI FLARE REVIEW: ‘Tove’ (2021) Lesbian Artists and Gay Moomins
    25th Mar 2021

    BFI FLARE REVIEW: ‘Tove’ (2021) Lesbian Artists and Gay Moomins

    Emily Maskell
  • BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation
    22nd Mar 2021

    BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation

    Emily Maskell
  • SUNDANCE REVIEW: ‘Mayday’ (2021) A Spellbinding Genre Defying Treat
    9th Feb 2021

    SUNDANCE REVIEW: ‘Mayday’ (2021) A Spellbinding Genre Defying Treat

    Emily Maskell
  • SUNDANCE REVIEW: ‘Rebel Hearts’ (2021) Nuns Like You’ve Never Seen Them Before
    6th Feb 2021

    SUNDANCE REVIEW: ‘Rebel Hearts’ (2021) Nuns Like You’ve Never Seen Them Before

    Emily Maskell
  • REVIEW: ‘Cocoon’ (2020) is Worthy of its Golden Glow
    12th Dec 2020

    REVIEW: ‘Cocoon’ (2020) is Worthy of its Golden Glow

    Emily Maskell
  • Films for this Unconventional Christmas
    2nd Dec 2020

    Films for this Unconventional Christmas

    Emily Maskell
  • NFF Review: ‘Women In Film’ Strand
    12th Nov 2020

    NFF Review: ‘Women In Film’ Strand

    Emily Maskell
  • Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch
    29th Oct 2020

    Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch

    Emily Maskell
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