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ARCHIVE

  • How the ‘Moonlight’ (2016) Screenplay Uses Silence to Speak the Loudest
    26th Jun 2020

    How the ‘Moonlight’ (2016) Screenplay Uses Silence to Speak the Loudest

    Gavin Spoors
  • PRIDE 2020: ‘Sunday Bloody Sunday’ (1971) Uses Sexuality to Portray the Longing for Love
    11th Jun 2020

    PRIDE 2020: ‘Sunday Bloody Sunday’ (1971) Uses Sexuality to Portray the Longing for Love

    Gavin Spoors
  • Between the Lines: The Sincerity of the ‘Lars and the Real Girl’ Screenplay
    22nd May 2020

    Between the Lines: The Sincerity of the ‘Lars and the Real Girl’ Screenplay

    Gavin Spoors
  • MHAM INTERVIEW: Dan Warrender and Scott Macpherson on Their ‘Mental Health Movie Monthly’ Initiative
    13th May 2020

    MHAM INTERVIEW: Dan Warrender and Scott Macpherson on Their ‘Mental Health Movie Monthly’ Initiative

    Gavin Spoors
  • INTERVIEW: Lynn Renee Maxcy Talks About How She Wrote an Interactive Film with ‘The Complex’ (2020)
    24th Apr 2020

    INTERVIEW: Lynn Renee Maxcy Talks About How She Wrote an Interactive Film with ‘The Complex’ (2020)

    Gavin Spoors
  • Review: ‘Tales from the Loop’ (2020) is a Quiet Meditation on the Human Condition
    10th Apr 2020

    Review: ‘Tales from the Loop’ (2020) is a Quiet Meditation on the Human Condition

    Gavin Spoors
  • REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward
    5th Apr 2020

    REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward

    Gavin Spoors
  • ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On
    27th Mar 2020

    ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On

    Gavin Spoors
  • Let the Past Die: Generational Conflict in Rian Johnson Films
    21st Mar 2020

    Let the Past Die: Generational Conflict in Rian Johnson Films

    Gavin Spoors
  • Review: With Season Three, ‘Castlevania’ (2020) Becomes a Show That is at Once Thoughtful and Nihilistic
    14th Mar 2020

    Review: With Season Three, ‘Castlevania’ (2020) Becomes a Show That is at Once Thoughtful and Nihilistic

    Gavin Spoors
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