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ARCHIVE

  • ‘Next Exit’ (2022) is an Existential Journey With One Too Many Detours
    13th Feb 2023

    ‘Next Exit’ (2022) is an Existential Journey With One Too Many Detours

    Hayley Paskevich
  • From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror
    31st Oct 2022

    From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror

    Hayley Paskevich
  • Roles in Retrospect #6 – Gemma Arterton, Elizabeth Debicki, and ‘Vita & Virginia’ (2018)
    30th Jun 2022

    Roles in Retrospect #6 – Gemma Arterton, Elizabeth Debicki, and ‘Vita & Virginia’ (2018)

    Hayley Paskevich
  • Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves
    30th Jun 2022

    Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves

    Hayley Paskevich
  • Roles in Retrospect #5 – Hailee Steinfeld and ‘Begin Again’ (2013)
    30th Apr 2022

    Roles in Retrospect #5 – Hailee Steinfeld and ‘Begin Again’ (2013)

    Hayley Paskevich
  • Roles in Retrospect #4: IWD 2022 – Maxine Peake and ‘Gwen’ (2018) and Kirsten Dunst and ‘Melancholia’ (2011)
    8th Mar 2022

    Roles in Retrospect #4: IWD 2022 – Maxine Peake and ‘Gwen’ (2018) and Kirsten Dunst and ‘Melancholia’ (2011)

    Hayley Paskevich
  • INTERVIEW: Avalon Fast Talks Her Buzzworthy Debut ‘Honeycomb’ (2022)
    2nd Mar 2022

    INTERVIEW: Avalon Fast Talks Her Buzzworthy Debut ‘Honeycomb’ (2022)

    Hayley Paskevich
  • Roles in Retrospect #3 – Gugu Mbatha-Raw and ‘Beyond the Lights’ (2014)
    16th Feb 2022

    Roles in Retrospect #3 – Gugu Mbatha-Raw and ‘Beyond the Lights’ (2014)

    Hayley Paskevich
  • REVIEW: ‘See For Me’ (2021) is a Surprising and Tense Thriller
    11th Feb 2022

    REVIEW: ‘See For Me’ (2021) is a Surprising and Tense Thriller

    Hayley Paskevich
  • Roles in Retrospect #2 – Florence Pugh and ‘Fighting with My Family’ (2019)
    9th Jan 2022

    Roles in Retrospect #2 – Florence Pugh and ‘Fighting with My Family’ (2019)

    Hayley Paskevich
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