• Facebook
  • Instagram
  • X
Flip Screen
  • Home
  • About
    • About
    • Our Partners
  • Staff
    • Meet the Team
    • Writers’ Database
  • Columns
    • Between The Lines: Diving Into the World of Screenwriting
    • Criminal Record
    • Ennui on the Screen
    • Now That’s What I Call Kino
    • Roles in Retrospect
    • The Revolution Will Be Televised
    • Top of the Docs
    • Women in Horror
  • TV
  • Film
  • FAQs
  • Kofi
  • Contact

ARCHIVE

  • VENICE 2023 REVIEW: With Its Voracious Appetite for Beauty and Destruction, ‘Pet Shop Days’ (2023) Proves to Be a Promising Debut
    14th Sep 2023

    VENICE 2023 REVIEW: With Its Voracious Appetite for Beauty and Destruction, ‘Pet Shop Days’ (2023) Proves to Be a Promising Debut

    Rebecca Rosén
  • VENICE 2023 REVIEW: ‘Heartless’ (2023) Is an Intimate and Striking Exploration of Adolescence, Class, and Relationships
    14th Sep 2023

    VENICE 2023 REVIEW: ‘Heartless’ (2023) Is an Intimate and Striking Exploration of Adolescence, Class, and Relationships

    Rebecca Rosén
  • John Early’s ‘Now More Than Ever’ (2023) Is a Nuanced Exploration of Human Behaviour Disguised as a Rockumentary
    12th Sep 2023

    John Early’s ‘Now More Than Ever’ (2023) Is a Nuanced Exploration of Human Behaviour Disguised as a Rockumentary

    Rebecca Rosén
  • Summer Shorts: 35 Short Films That Capture the Essence of Summertime
    6th Aug 2023

    Summer Shorts: 35 Short Films That Capture the Essence of Summertime

    Rebecca Rosén
  • REVIEW: ‘You & Me’ (2023) Is a Speed Run In Sappy Emotional Manipulation That Fails to Leave a Genuine Impression
    2nd Aug 2023

    REVIEW: ‘You & Me’ (2023) Is a Speed Run In Sappy Emotional Manipulation That Fails to Leave a Genuine Impression

    Rebecca Rosén
  • REVIEW: Netflix’s ‘One More Time’ (2023) Is a Predictable Albeit Fun Time Capsule of 2000s Sweden
    13th Jul 2023

    REVIEW: Netflix’s ‘One More Time’ (2023) Is a Predictable Albeit Fun Time Capsule of 2000s Sweden

    Rebecca Rosén
  • REVIEW: ‘Skate Dreams’ (2022) is an Energetic and Joyous Documentary About the Rise of Women’s Skateboarding and the Power of Community
    29th Jun 2023

    REVIEW: ‘Skate Dreams’ (2022) is an Energetic and Joyous Documentary About the Rise of Women’s Skateboarding and the Power of Community

    Rebecca Rosén
  • REVIEW: Nicolas Peduzzi’s ‘On the Edge’ (2023) is a Gripping Account of a Crumbling Medical Institution and the Admirable Workers Within It
    16th Jun 2023

    REVIEW: Nicolas Peduzzi’s ‘On the Edge’ (2023) is a Gripping Account of a Crumbling Medical Institution and the Admirable Workers Within It

    Rebecca Rosén
  • REVIEW: ‘Colin from Accounts’ (2022) Masterfully Moves Beyond the Usual Will-They-Won’t-They Narrative
    11th May 2023

    REVIEW: ‘Colin from Accounts’ (2022) Masterfully Moves Beyond the Usual Will-They-Won’t-They Narrative

    Rebecca Rosén
  • REVIEW: Mae Martin’s ‘Sap’ (2023) Offers a Sliver of Hope in a Disastrous World
    28th Apr 2023

    REVIEW: Mae Martin’s ‘Sap’ (2023) Offers a Sliver of Hope in a Disastrous World

    Rebecca Rosén
Previous Page
1 2 3 4
Next Page

Categories

Reviews.

News.

Guides.

Deals.

Videos.

Reader Poll.

Features.

Staff Picks.

Game Culture.

Podcast.

Subscribe to see our latest articles!

Create a website or blog at WordPress.com

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • Flip Screen
    • Join 287 other subscribers.
    • Already have a WordPress.com account? Log in now.
    • Flip Screen
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar