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ARCHIVE

  • REVIEW: ‘Waiting’ (2020) is Short but Highly Impactful
    14th May 2020

    REVIEW: ‘Waiting’ (2020) is Short but Highly Impactful

    Michaela Barton
  • ‘Frankenstein’: One Big Queer Family
    21st Apr 2020

    ‘Frankenstein’: One Big Queer Family

    Michaela Barton
  • REVIEW: ‘Butt Boy’ (2020) is Not as Bad as the Film’s Title
    14th Apr 2020

    REVIEW: ‘Butt Boy’ (2020) is Not as Bad as the Film’s Title

    Michaela Barton
  • REVIEW: Cell Adore Film Festival showcases the finest in short filmmaking talent
    10th Apr 2020

    REVIEW: Cell Adore Film Festival showcases the finest in short filmmaking talent

    Michaela Barton
  • Cell Adore Film Festival: The perfect online festival for a lockdown
    30th Mar 2020

    Cell Adore Film Festival: The perfect online festival for a lockdown

    Michaela Barton
  • 'Bringing up Baby' (1938) is a Revolutionary Queer Protest
    24th Mar 2020

    'Bringing up Baby' (1938) is a Revolutionary Queer Protest

    Michaela Barton
  • REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic
    24th Feb 2020

    REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic

    Michaela Barton
  • But Just How Gay is ‘The Lighthouse'(2019)?
    18th Feb 2020

    But Just How Gay is ‘The Lighthouse'(2019)?

    Michaela Barton
  • That’s So Gay… A Column Investigating LGBTQ+ Subtext in Film
    21st Jan 2020

    That’s So Gay… A Column Investigating LGBTQ+ Subtext in Film

    Michaela Barton
  • REVIEW: Housing Erotic Horror, ‘Girl on the Third Floor’ is a Haunting Wet Dream
    28th Nov 2019

    REVIEW: Housing Erotic Horror, ‘Girl on the Third Floor’ is a Haunting Wet Dream

    Michaela Barton
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