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ARCHIVE

  • LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 
    6th Dec 2025

    LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 

    Natalie Quinn
  • REVIEW: Eva Victor’s ‘Sorry, Baby’ (2025) is Unapologetically Raw, Real and Radiant 
    20th Aug 2025

    REVIEW: Eva Victor’s ‘Sorry, Baby’ (2025) is Unapologetically Raw, Real and Radiant 

    Natalie Quinn
  • GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 
    16th Mar 2025

    GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 

    Natalie Quinn
  • AFF 2024 Review: Are We Out of the Woods Yet? ‘Good One’ and the Treacherous Journey of Growing Up  
    15th Jan 2025

    AFF 2024 Review: Are We Out of the Woods Yet? ‘Good One’ and the Treacherous Journey of Growing Up  

    Natalie Quinn
  • Hindsight is 39: Megan Park’s ‘My Old Ass’ is a Refreshing Coming of Age Tale with a Thought-Provoking Fantasy Twist
    5th Sep 2024

    Hindsight is 39: Megan Park’s ‘My Old Ass’ is a Refreshing Coming of Age Tale with a Thought-Provoking Fantasy Twist

    Natalie Quinn
  • LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 
    16th Nov 2023

    LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 

    Natalie Quinn
  • LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love
    28th Oct 2023

    LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love

    Natalie Quinn
  • A Rundown of the 2023 Glasgow Film Festival 
    23rd Mar 2023

    A Rundown of the 2023 Glasgow Film Festival 

    Natalie Quinn
  • “Do You Want to Mango With Me?” An Exploration of Female Pleasure in Alli Hapasalo’s ‘Girl Picture’ (2022)
    12th Nov 2022

    “Do You Want to Mango With Me?” An Exploration of Female Pleasure in Alli Hapasalo’s ‘Girl Picture’ (2022)

    Natalie Quinn

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