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ARCHIVE

  • The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?
    25th Apr 2021

    The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?

    RaeAnn Quick
  • REVIEW: ‘WandaVision’ First Episodes Are an Awakening for the MCU
    3rd Feb 2021

    REVIEW: ‘WandaVision’ First Episodes Are an Awakening for the MCU

    RaeAnn Quick
  • ‘The Half Of It’ (2020): How to Craft Coming-of-Age for LGBTQ+ Youth
    8th Aug 2020

    ‘The Half Of It’ (2020): How to Craft Coming-of-Age for LGBTQ+ Youth

    RaeAnn Quick
  • REVIEW: After Parkland: Making a Highly Politicized Tragedy Personal
    22nd Mar 2020

    REVIEW: After Parkland: Making a Highly Politicized Tragedy Personal

    RaeAnn Quick
  • REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World
    17th Feb 2020

    REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World

    RaeAnn Quick
  • REVIEW: ‘Church and State’ (2018) Represents Both Sides of the Argument With Compassion and Respect
    23rd Jan 2020

    REVIEW: ‘Church and State’ (2018) Represents Both Sides of the Argument With Compassion and Respect

    RaeAnn Quick
  • Lesbian Love as Invention: Céline Sciamma’s ‘Portrait of a Lady on Fire’ (2019)
    10th Jan 2020

    Lesbian Love as Invention: Céline Sciamma’s ‘Portrait of a Lady on Fire’ (2019)

    RaeAnn Quick

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