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ARCHIVE

  • Entropy at the Beach: Michel Franco’s ‘Sundown’ (2022) and M. Night Shyamalan’s ‘Old’ (2021)
    27th Sep 2023

    Entropy at the Beach: Michel Franco’s ‘Sundown’ (2022) and M. Night Shyamalan’s ‘Old’ (2021)

    Eric Rauth
  • “Do Everything You Can to Fight Back”: Flutters of Resilience in ‘House of Hummingbird’ (2018)
    13th Sep 2023

    “Do Everything You Can to Fight Back”: Flutters of Resilience in ‘House of Hummingbird’ (2018)

    Lee Jae Min
  • John Early’s ‘Now More Than Ever’ (2023) Is a Nuanced Exploration of Human Behaviour Disguised as a Rockumentary
    12th Sep 2023

    John Early’s ‘Now More Than Ever’ (2023) Is a Nuanced Exploration of Human Behaviour Disguised as a Rockumentary

    Rebecca Rosén
  • No One is Safe: Why ‘Scream’ Shouldn’t Be Scared to Address the “Bury Your Gays” Trope
    29th Jun 2023

    No One is Safe: Why ‘Scream’ Shouldn’t Be Scared to Address the “Bury Your Gays” Trope

    Hayley Paskevich
  • ‘Puss in Boots: The Last Wish’ (2022) is An Ode to an Anxious Generation
    13th Apr 2023

    ‘Puss in Boots: The Last Wish’ (2022) is An Ode to an Anxious Generation

    Alex Dewing
  • Nicolas Winding Refn’s ‘Copenhagen Cowboy’ (2023) Is a Compelling and Seductive Experience Out of the Ordinary
    30th Mar 2023

    Nicolas Winding Refn’s ‘Copenhagen Cowboy’ (2023) Is a Compelling and Seductive Experience Out of the Ordinary

    Rebecca Rosén
  • Fall Into the Mysterious Abyss of ‘1899’ and Its Pioneering Commitment to Linguistic Diversity
    21st Feb 2023

    Fall Into the Mysterious Abyss of ‘1899’ and Its Pioneering Commitment to Linguistic Diversity

    Rebecca Rosén
  • The Frenzy of Faux Femininity in the French New Wave
    19th Feb 2023

    The Frenzy of Faux Femininity in the French New Wave

    francesbeau
  • It’s Kind of a Funny (New Year’s Eve) Story
    31st Dec 2022

    It’s Kind of a Funny (New Year’s Eve) Story

    McKinzie Smith
  • An Ageless Portrayal of Time Lost, ‘I Vitelloni’ (1953) Captures Ennui That Feels All Too Familiar
    13th Dec 2022

    An Ageless Portrayal of Time Lost, ‘I Vitelloni’ (1953) Captures Ennui That Feels All Too Familiar

    Rebecca Rosén
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