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ARCHIVE

  • What It Sounds Like: Experiencing Fandom and Fulfilment Through ‘KPop Demon Hunters’ (2025) 
    4th Sep 2025

    What It Sounds Like: Experiencing Fandom and Fulfilment Through ‘KPop Demon Hunters’ (2025) 

    Hayley Paskevich
  • Our Most Anticipated Films of 2025 – Hayley
    3rd Apr 2025

    Our Most Anticipated Films of 2025 – Hayley

    Hayley Paskevich
  • Our Most Anticipated Films of 2025 – Rebecca
    2nd Apr 2025

    Our Most Anticipated Films of 2025 – Rebecca

    Rebecca Rosén
  • Flip Screen’s Best Films of 2024 – Hayley
    31st Mar 2025

    Flip Screen’s Best Films of 2024 – Hayley

    Hayley Paskevich
  • Flip Screen’s Best Films of 2024 – Rebecca
    31st Mar 2025

    Flip Screen’s Best Films of 2024 – Rebecca

    Rebecca Rosén
  • GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 
    16th Mar 2025

    GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 

    Natalie Quinn
  • REVIEW: ‘Colin from Accounts’ Season 2 Continues to Captivate With Its Indisputable Charm, Honesty and Wit
    12th Feb 2025

    REVIEW: ‘Colin from Accounts’ Season 2 Continues to Captivate With Its Indisputable Charm, Honesty and Wit

    Rebecca Rosén
  • Maestro of the Macabre: Five Essential Films by Mario Bava
    9th Feb 2025

    Maestro of the Macabre: Five Essential Films by Mario Bava

    Rebecca Rosén
  • LFF 2024 Review: Mati Diop’s ‘Dahomey’ is a Haunting Documentary Stunner
    23rd Oct 2024

    LFF 2024 Review: Mati Diop’s ‘Dahomey’ is a Haunting Documentary Stunner

    stephenjcosgrove
  • “We Wanted to Make a Film That Celebrated Women”: Janis Pugh, Louise Brealey, and Annabel Scholey Chat ‘Chuck Chuck Baby’ (2023)
    19th Jul 2024

    “We Wanted to Make a Film That Celebrated Women”: Janis Pugh, Louise Brealey, and Annabel Scholey Chat ‘Chuck Chuck Baby’ (2023)

    Hayley Paskevich
1 2 3 … 45
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