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10th Jan 2022

Bringing Back the Erotic Thriller

McKinzie Smith
9th Jan 2022

Roles in Retrospect #2 – Florence Pugh and ‘Fighting with My Family’ (2019)

Hayley Paskevich
3rd Jan 2022

‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television

alexapellegrini
9th Dec 2021

Roles in Retrospect #1 – Thomasin McKenzie and ‘Leave No Trace’ (2018)

Hayley Paskevich
4th Dec 2021

‘√964 Pinocchio’ (1991): Vengeful Outcast, Emetic Spirit

Tyler Simeone
27th Nov 2021

Watching ‘Night of the Living Dead’ (1968) in the Wake of a Pandemic

Claire Davidson
25th Nov 2021

Always a Bridesmaid and Never a Bride, Until Now: How ‘Bridesmaids’ (2011) Allowed Women to Take the Front Seat in Comedies

mmstein
6th Nov 2021

INTERVIEW: Therese Shechter on The Institution of Motherhood in ‘My So-Called Selfish Life’ (2021)

Gala Woolley
3rd Nov 2021

BHFF REVIEW: ‘The Sadness’ (2021) Is Tear-Jerkingly Depraved

Tyler Simeone
31st Oct 2021

BHFF Review: As ‘Lux Æterna’ (2019) Proves, Bonfires Are So Sexy

Tyler Simeone

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