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ARCHIVE

  • BHFF Review: In ‘Good Madam’ (2021), Fear Lives In the Fingertips
    30th Oct 2021

    BHFF Review: In ‘Good Madam’ (2021), Fear Lives In the Fingertips

    Tyler Simeone
  • ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror
    26th Oct 2021

    ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror

    Eoin O’Donnell
  • VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience
    23rd Oct 2021

    VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience

    Jennifer Maxwell
  • VIFF 2021 REVIEW: ‘Red Rocket’ (2021) Reinvents The Hero’s Journey
    22nd Oct 2021

    VIFF 2021 REVIEW: ‘Red Rocket’ (2021) Reinvents The Hero’s Journey

    Jennifer Maxwell
  • What the TV Women of the 2000s Taught Us
    12th Oct 2021

    What the TV Women of the 2000s Taught Us

    paulinesauz
  • INTERVIEW: ‘The Tape’ (2021) – Martha Tilston Makes Her Music Come Alive On Screen
    29th Sep 2021

    INTERVIEW: ‘The Tape’ (2021) – Martha Tilston Makes Her Music Come Alive On Screen

    Hayley Paskevich
  • Going ‘Down With Love’: Sex, Lies, and Romantic Comedies
    27th Sep 2021

    Going ‘Down With Love’: Sex, Lies, and Romantic Comedies

    Megan Robinson
  • Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner
    22nd Sep 2021

    Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner

    Tyler Simeone
  • INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’
    14th Sep 2021

    INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’

    McKinzie Smith
  • 2021 Women X Film Festival: Wrap-Up
    13th Sep 2021

    2021 Women X Film Festival: Wrap-Up

    Hayley Paskevich
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