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ARCHIVE

  • LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 
    16th Nov 2023

    LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 

    Natalie Quinn
  • ‘Skinamarink’ (2022) as Ergodic Filmmaking
    4th Nov 2023

    ‘Skinamarink’ (2022) as Ergodic Filmmaking

    Red Broadwell
  • ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland
    2nd Nov 2023

    ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland

    Jennifer Maxwell
  • “To Become Free”: The Violence of Growing Up in ‘Stoker’ (2013) and ‘Sharp Objects’ (2018)
    31st Oct 2023

    “To Become Free”: The Violence of Growing Up in ‘Stoker’ (2013) and ‘Sharp Objects’ (2018)

    Nirica Srinivasan
  • LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love
    28th Oct 2023

    LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love

    Natalie Quinn
  • Entropy at the Beach: Michel Franco’s ‘Sundown’ (2022) and M. Night Shyamalan’s ‘Old’ (2021)
    27th Sep 2023

    Entropy at the Beach: Michel Franco’s ‘Sundown’ (2022) and M. Night Shyamalan’s ‘Old’ (2021)

    Eric Rauth
  • TIFF 2023 REVIEW: Dakota Johnson Seeks Refuge in a Taxicab in ‘Daddio’ (2023)
    22nd Sep 2023

    TIFF 2023 REVIEW: Dakota Johnson Seeks Refuge in a Taxicab in ‘Daddio’ (2023)

    Jennifer Maxwell
  • TIFF 2023 REVIEW: ‘Dream Scenario’ (2023) is Your Favourite New Nightmare
    21st Sep 2023

    TIFF 2023 REVIEW: ‘Dream Scenario’ (2023) is Your Favourite New Nightmare

    Jennifer Maxwell
  • TIFF 2023 REVIEW: ‘Woman of the Hour’ (2023) Tells the Wrong Story
    13th Sep 2023

    TIFF 2023 REVIEW: ‘Woman of the Hour’ (2023) Tells the Wrong Story

    Jennifer Maxwell
  • TIFF 2023 REVIEW: ‘Gonzo Girl’ (2023) is as Chaotic as the Author It’s Portraying
    13th Sep 2023

    TIFF 2023 REVIEW: ‘Gonzo Girl’ (2023) is as Chaotic as the Author It’s Portraying

    Jennifer Maxwell
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