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ARCHIVE

  • VIFF 2022 REVIEW: ‘Stars at Noon’ is an Uninspired Blunder
    16th Oct 2022

    VIFF 2022 REVIEW: ‘Stars at Noon’ is an Uninspired Blunder

    Jennifer Maxwell
  • Music in Film: The Velvet Goldmine #1 – Enigmatic Chronicles of a True Artist in ‘Moonage Daydream’ (2022)
    30th Sep 2022

    Music in Film: The Velvet Goldmine #1 – Enigmatic Chronicles of a True Artist in ‘Moonage Daydream’ (2022)

    Tilly Long
  • Psychological Patriarchy and Covert Submission in ‘Don’t Worry Darling’ (2022)
    28th Sep 2022

    Psychological Patriarchy and Covert Submission in ‘Don’t Worry Darling’ (2022)

    Tilly Long
  • TIFF 2022 REVIEW: Lena Dunham Rediscovers her Voice in ‘Catherine Called Birdy’ (2022)
    27th Sep 2022

    TIFF 2022 REVIEW: Lena Dunham Rediscovers her Voice in ‘Catherine Called Birdy’ (2022)

    Jennifer Maxwell
  • Women in Crime Films, and Why Female Leadership Should Be Celebrated
    24th Sep 2022

    Women in Crime Films, and Why Female Leadership Should Be Celebrated

    Noemi Arellano-Summer
  • Jean-Luc Godard: A Life with a Beginning, Middle and an End, but not Necessarily in That Order
    20th Sep 2022

    Jean-Luc Godard: A Life with a Beginning, Middle and an End, but not Necessarily in That Order

    Tilly Long
  • “Only the Parts of Us Will Ever Touch Only the Parts of Others”: Hotboxing Human Connection in ‘Compartment No. 6’ (2021)
    19th Sep 2022

    “Only the Parts of Us Will Ever Touch Only the Parts of Others”: Hotboxing Human Connection in ‘Compartment No. 6’ (2021)

    athenarees27
  • TIFF 2022 REVIEW: Mia Goth Catches the Light in ‘Pearl’ (2022)
    18th Sep 2022

    TIFF 2022 REVIEW: Mia Goth Catches the Light in ‘Pearl’ (2022)

    Jennifer Maxwell
  • Exploring True Intimacy and Marriage in FX’s ‘The Americans’
    10th Sep 2022

    Exploring True Intimacy and Marriage in FX’s ‘The Americans’

    Alexa Brown
  • Not Racist, Just Lonely: The Rampant Use of Orientalism in ‘Lost in Translation’ (2003) 
    8th Sep 2022

    Not Racist, Just Lonely: The Rampant Use of Orientalism in ‘Lost in Translation’ (2003) 

    Lee Jae Min
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