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ARCHIVE

  • LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 
    6th Dec 2025

    LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 

    Natalie Quinn
  • SQIFF 2025: QUEERLY BELOVED
    6th Nov 2025

    SQIFF 2025: QUEERLY BELOVED

    Hayley Paskevich
  • SQIFF 2025: NO PRIDE IN GENOCIDE
    31st Oct 2025

    SQIFF 2025: NO PRIDE IN GENOCIDE

    Hayley Paskevich
  • GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 
    16th Mar 2025

    GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 

    Natalie Quinn
  • NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days
    10th Dec 2024

    NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days

    Alysha Lindvik
  • LFF 2024 Review: Mati Diop’s ‘Dahomey’ is a Haunting Documentary Stunner
    23rd Oct 2024

    LFF 2024 Review: Mati Diop’s ‘Dahomey’ is a Haunting Documentary Stunner

    stephenjcosgrove
  • LFF 2024 Review: Joshua Oppenheimer Returns With Spectacular and Shattering Musical ‘The End’
    13th Oct 2024

    LFF 2024 Review: Joshua Oppenheimer Returns With Spectacular and Shattering Musical ‘The End’

    stephenjcosgrove
  • Sundance 2024 REVIEW: ‘How to Have Sex’
    27th Jul 2024

    Sundance 2024 REVIEW: ‘How to Have Sex’

    Alysha Lindvik
  • Sundance 2024 REVIEW: ‘Freaky Tales’
    22nd Jul 2024

    Sundance 2024 REVIEW: ‘Freaky Tales’

    Alysha Lindvik
  • Sundance 2024 REVIEW: ‘Love Lies Bleeding’
    22nd Jul 2024

    Sundance 2024 REVIEW: ‘Love Lies Bleeding’

    Alysha Lindvik
1 2 3 … 22
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