• Facebook
  • Instagram
  • X
Flip Screen
  • Home
  • About
    • About
    • Our Partners
  • Staff
    • Meet the Team
    • Writers’ Database
  • Columns
    • Between The Lines: Diving Into the World of Screenwriting
    • Criminal Record
    • Ennui on the Screen
    • Now That’s What I Call Kino
    • Roles in Retrospect
    • The Revolution Will Be Televised
    • Top of the Docs
    • Women in Horror
  • TV
  • Film
  • FAQs
  • Kofi
  • Contact

ARCHIVE

  • “We Wanted to Make a Film That Celebrated Women”: Janis Pugh, Louise Brealey, and Annabel Scholey Chat ‘Chuck Chuck Baby’ (2023)
    19th Jul 2024

    “We Wanted to Make a Film That Celebrated Women”: Janis Pugh, Louise Brealey, and Annabel Scholey Chat ‘Chuck Chuck Baby’ (2023)

    Hayley Paskevich
  • LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 
    16th Nov 2023

    LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 

    Natalie Quinn
  • ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland
    2nd Nov 2023

    ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland

    Jennifer Maxwell
  • LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love
    28th Oct 2023

    LFF 2023 Review: ‘Fingernails’ and The Torturous Nature of Love

    Natalie Quinn
  • TIFF 2023 REVIEW: Dakota Johnson Seeks Refuge in a Taxicab in ‘Daddio’ (2023)
    22nd Sep 2023

    TIFF 2023 REVIEW: Dakota Johnson Seeks Refuge in a Taxicab in ‘Daddio’ (2023)

    Jennifer Maxwell
  • TIFF 2023 REVIEW: ‘Dream Scenario’ (2023) is Your Favourite New Nightmare
    21st Sep 2023

    TIFF 2023 REVIEW: ‘Dream Scenario’ (2023) is Your Favourite New Nightmare

    Jennifer Maxwell
  • VENICE 2023 REVIEW: ‘Forever-Forever’ (2023) Explores Emancipation and the Lasting Bite Marks of Adolescence
    19th Sep 2023

    VENICE 2023 REVIEW: ‘Forever-Forever’ (2023) Explores Emancipation and the Lasting Bite Marks of Adolescence

    Rebecca Rosén
  • VENICE 2023 REVIEW: ‘Paradise is Burning’ (2023) Is a Triumphant Love Letter to Sisterhood
    15th Sep 2023

    VENICE 2023 REVIEW: ‘Paradise is Burning’ (2023) Is a Triumphant Love Letter to Sisterhood

    Rebecca Rosén
  • VENICE 2023 REVIEW: With Its Voracious Appetite for Beauty and Destruction, ‘Pet Shop Days’ (2023) Proves to Be a Promising Debut
    14th Sep 2023

    VENICE 2023 REVIEW: With Its Voracious Appetite for Beauty and Destruction, ‘Pet Shop Days’ (2023) Proves to Be a Promising Debut

    Rebecca Rosén
  • VENICE 2023 REVIEW: ‘Heartless’ (2023) Is an Intimate and Striking Exploration of Adolescence, Class, and Relationships
    14th Sep 2023

    VENICE 2023 REVIEW: ‘Heartless’ (2023) Is an Intimate and Striking Exploration of Adolescence, Class, and Relationships

    Rebecca Rosén
Previous Page
1 2 3 4 … 22
Next Page

Categories

Reviews.

News.

Guides.

Deals.

Videos.

Reader Poll.

Features.

Staff Picks.

Game Culture.

Podcast.

Subscribe to see our latest articles!

Create a website or blog at WordPress.com

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • Flip Screen
    • Join 287 other subscribers.
    • Already have a WordPress.com account? Log in now.
    • Flip Screen
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar