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ARCHIVE

  • MHAM: ‘It’s Always Personal’: Humanising Dystopia and Trauma in ‘The Hunger Games’ Films
    7th May 2020

    MHAM: ‘It’s Always Personal’: Humanising Dystopia and Trauma in ‘The Hunger Games’ Films

    Carmen Paddock
  • MHAM: ‘The Haunting of Hill House’ and the Journey of a Family Through Trauma
    1st May 2020

    MHAM: ‘The Haunting of Hill House’ and the Journey of a Family Through Trauma

    carolinehvd
  • ‘Joker’ (2019): Exploring the Controversies Behind the Joaquin Phoenix Feature
    9th Nov 2019

    ‘Joker’ (2019): Exploring the Controversies Behind the Joaquin Phoenix Feature

    hannahrosinareview
  • REVIEW: ‘Joker’s (2019) Complete Lack of Direction Plays in its Favour
    6th Nov 2019

    REVIEW: ‘Joker’s (2019) Complete Lack of Direction Plays in its Favour

    Niamh Crawley
  • ‘Undone’ and Why Complex Depictions of Mental Illnesses Matter
    28th Oct 2019

    ‘Undone’ and Why Complex Depictions of Mental Illnesses Matter

    oakleymoranfilm
  • Her Smell (2019) and “The Power of Going Backwards”
    7th Sep 2019

    Her Smell (2019) and “The Power of Going Backwards”

    rebeccamccafferty12
  • ‘Gia’: The Undone, The Divine, and Everything In Between
    11th Jun 2019

    ‘Gia’: The Undone, The Divine, and Everything In Between

    Flip Screen
  • Mad Women, Crazy Women: The Subversion of Gender Roles in Netflix’s ‘Dead To Me’
    9th Jun 2019

    Mad Women, Crazy Women: The Subversion of Gender Roles in Netflix’s ‘Dead To Me’

    hannahrosinareview
  • Depression and Suicide in Billy Wilder’s The Apartment
    30th May 2019

    Depression and Suicide in Billy Wilder’s The Apartment

    Flip Screen
  • REVIEW: “A Reminder That People Need People” – ‘Kingdom of Us’ (2017)
    30th May 2019

    REVIEW: “A Reminder That People Need People” – ‘Kingdom of Us’ (2017)

    Emily Maskell
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