Following Lynch’s lead, queer independent filmmaker Gregg Araki almost added his name to that small list with his project This is How the World Ends, almost a decade later. However, this project never came to be and has instead been left to float around the realms of YouTube.
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Titan A.E. is an often forgotten animation – and equally ignored is its important place in the medium’s history
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Warning: A cluck load of chicken puns A chick-flick that has every viewer cracking up, Chicken Run (2000) is timeless, it’s heart-felt, it’s – undoubtedly – egg-cellent. Delighting children, adults and pensioners alike, this film is a classic and has earned its spot in history, thanks to the committed and talented team of filmmakers who…
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In 1998, Gus Van Sant angered the world with Psycho, his near-exact shot-for-shot remake that drove critics into a furious rage and tarred his name in Hollywood for many years. But is there more to this story than simply a car crash remake gone wrong?
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Inspired by James Palmer’s fantastic twitter thread, we’re shaking up the formula and bringing you 9 double bills to inject a bit of fun into your watch parties.
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“Fleabag (Phoebe Waller-Bridge) can’t be easily defined. She is layered, she is real, she is – in all honesty – a disaster.”
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“WLW are deeply intimate with the quiet and soft expression of yearning and no filmmaker encapsulates this better than Céline Sciamma.”
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With the recent conviction of Harvey Weinstein it seems relevant to discuss this, and talk about what women are tired of hearing: what is it like to be a woman in the film industry?
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Flip Screen’s James Palmer and George Forster are here to make a few TV suggestions to keep you going for the long haul.
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One of the opening scenes in Alice Wu’s whimsical 2005 romantic comedy Saving Face is set at Planet China, a social dance for the Chinese community of Flushing, New York. Wil (Michelle Krusiec) begrudgingly attends, forced to dance with the latest in a string of eligible bachelors scouted by her mother Ma (Joan Chen), who…
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