“A movie that is refreshingly and sincerely romantic, marking a dramatic contrast not just to the great bulk of science fiction, but with modern mainstream cinema at large.” Science fiction is making waves once again. With the arguably unexpected success of Dune, a weighty space opera that offers complex lore, audiences may be primed for…
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“The fear here is the much more threatening notion that society is more dangerous than we realise; that we’re trapped amidst its expectations and oppression no matter our intentions.”
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While female representation in the media still continues to evolve, it is progressing. One thing is for sure: the 2000s gave storytellers and writers an adequate blueprint of female representation.
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Our editor-in-chief, Hayley Paskevich, gives an overview of the various strands of shorts presented at this year’s Women X Film Festival and shares her thoughts on attending the event.
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Hope seems to have disappeared from modern cinema. Where has optimism for our future gone, and will things actually ever change?
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Between 2004-2005, two audacious films sought to explore the long-mythologised concept of female desire.
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What makes a disturbing movie so effective? Hannah Granberry breaks down some of the tropes and tricks of feel-bad films.
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WandaVision put Marvel in the world of TV in a big way, but is it enough to be good for television’s future?
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It is phenomenal that these stories are being told. However, what does it mean if they only tell a partial story, with little condemnation of the system that maintains it?
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Hannibal is 20 years old. It was the long awaited sequel to one of history’s most lauded films, so where does it stand in the film canon now?
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