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ARCHIVE

  • The Longevity of ‘Scooby-Doo’: 50 Year Retrospective
    28th Sep 2019

    The Longevity of ‘Scooby-Doo’: 50 Year Retrospective

    Thalia Castro
  • Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot
    14th Sep 2019

    Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot

    roannasylver
  • The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist
    7th Sep 2019

    The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist

    Michaela Barton
  • ‘The Guernsey Literary and Potato Peel Pie Society’: When Cinema Brings You Home
    9th Jul 2019

    ‘The Guernsey Literary and Potato Peel Pie Society’: When Cinema Brings You Home

    Alissa Morgan
  • There’s Something I Want You To Know: Coming Out On The Internet
    20th Jun 2019

    There’s Something I Want You To Know: Coming Out On The Internet

    Georgia Davis
  • ‘Gia’: The Undone, The Divine, and Everything In Between
    11th Jun 2019

    ‘Gia’: The Undone, The Divine, and Everything In Between

    Flip Screen
  • REVIEW: “A Perfectly Fine Experience” – ‘Dating After College’ (2019)
    10th Jun 2019

    REVIEW: “A Perfectly Fine Experience” – ‘Dating After College’ (2019)

    Nia Le
  • Oh, and Bi the Way: How ‘Brooklyn Nine-Nine’ Centres LGBT+ Narratives in its Comedy and Manages to Get it Right
    19th Apr 2019

    Oh, and Bi the Way: How ‘Brooklyn Nine-Nine’ Centres LGBT+ Narratives in its Comedy and Manages to Get it Right

    Alissa Morgan
  • “Eighth Grade” (2018): The Emotional Depth of Kayla
    24th Mar 2019

    “Eighth Grade” (2018): The Emotional Depth of Kayla

    Flip Screen
  • Agent Carter Walked, So Captain Marvel Could Fly
    16th Mar 2019

    Agent Carter Walked, So Captain Marvel Could Fly

    ellmachtfilm
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