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ARCHIVE

  • International Women’s Day 2019: Women We Admire in TV & Film
    8th Mar 2019

    International Women’s Day 2019: Women We Admire in TV & Film

    Daisy
  • ‘Captain Marvel’ (2019): Getting Back Up Again
    8th Mar 2019

    ‘Captain Marvel’ (2019): Getting Back Up Again

    Georgia Davis
  • ‘The Hours’ (2002) and What We Hide and Show of Ourselves in the Eternities In-between
    27th Feb 2019

    ‘The Hours’ (2002) and What We Hide and Show of Ourselves in the Eternities In-between

    artreju
  • Crazy Rich Asians (2018): A Love Letter to the Unbelonging
    20th Feb 2019

    Crazy Rich Asians (2018): A Love Letter to the Unbelonging

    Bethany Datuin
  • ‘The Matrix’ (1999): 20 Years On, We’re Still Tumbling Down The Rabbit Hole
    11th Feb 2019

    ‘The Matrix’ (1999): 20 Years On, We’re Still Tumbling Down The Rabbit Hole

    Sophie Butcher
  • How Evelyn Carnahan’s (Rachel Weisz) Role in ‘The Mummy’ (1999) and ‘The Mummy Returns’ (2001) Affirmed my Love of Storytelling
    18th Jan 2019

    How Evelyn Carnahan’s (Rachel Weisz) Role in ‘The Mummy’ (1999) and ‘The Mummy Returns’ (2001) Affirmed my Love of Storytelling

    Alissa Morgan
  • ‘Requiem For A Dream’ (2000): Nineteen Years Later
    18th Jan 2019

    ‘Requiem For A Dream’ (2000): Nineteen Years Later

    Flip Screen
  • Marvel’s ‘Runaways’: Deanoru and the (Super) Power of Representation
    16th Jan 2019

    Marvel’s ‘Runaways’: Deanoru and the (Super) Power of Representation

    Hayley Paskevich
  • ‘Spirited Away’ (2001): The Nature of a Life-Changing Moment
    9th Jan 2019

    ‘Spirited Away’ (2001): The Nature of a Life-Changing Moment

    Daisy
  • ‘Agents of S.H.I.E.L.D.’: Coming of Age with a Show
    7th Jan 2019

    ‘Agents of S.H.I.E.L.D.’: Coming of Age with a Show

    Nia Le
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