“In ‘Succession’, any attempt to leave Logan Roy’s orbit can only end in despair.”
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“In ‘Succession’, any attempt to leave Logan Roy’s orbit can only end in despair.”
Read More‘Resident Evil: Welcome to Raccoon City’ brings the franchise back to the big screen, but with no more to offer than previous failures.
Read More“While Mickey Reece’s ‘Agnes’ (2021) is largely marketed as a horror film that draws upon the tired tropes of demonic possession and religious exorcism central to the nunsploitation genre, it surprises audiences by emerging as a haunting tale of grief, young motherhood and loss.”
Read More“‘The Power of the Dog’ is Jane Campion’s first feature in more than ten years. It’s menacing and mysterious in its narrative, and presents itself to reveal something truly spectacular.”
Read MoreRefusing to place all its hopes in both state and religion as god-given arbiters of justice, season two of ‘Evil’ reinvents the crime procedural by suggesting that ideas of good and bad are not given, but made, remade, and brutally scapegoated onto people.
Read MoreThis tale of accountant-turned-artist is never clearly docudrama or pure fiction, making for a bizarre watch.
Read More‘The Courier’ is a tense, well-orchestrated spy movie. As a veil of secrecy and anticipation, heightened by mutual threats from both USSR and United States, bears over humanity at the dawn of the Cold War, Greville Wynne (Benedict Cumberbatch) is recruited by MI6 to spy on the opposing force. Greville had this far worked as…
Read More“In ‘The Sadness’ the fear is not—as Hitchcock might have asserted—what is unseen, but what can be endured.”
Read More“‘Lux Æterna’ associates the cinematic regard with the spectacle of a witch burning, gobbling up misogynistic entertainment at the expense of another’s pain.”
Read More“Taking up the mantle of other bright stars of the creepy-old-lady-upstairs subsection of the genre, ‘Good Madam’ offers an interesting take on horror that passes, first and foremost, through the hands.”
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