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23rd Aug 2023

EIFF 2023 REVIEW: ‘Passages’ (2023) is a Messy and Complicated Exploration of Desire

Hayley Paskevich
23rd Aug 2023

EIFF 2023 REVIEW: ‘Superposition’ (2023) Takes an Uncanny Approach to Self-Reflection

Hayley Paskevich
19th Aug 2023

FANTASIA 2023 REVIEW: ‘With Love and a Major Organ’ (2023) is Full of Art, But Lacking in Heart

Hayley Paskevich
2nd Aug 2023

REVIEW: ‘You & Me’ (2023) Is a Speed Run In Sappy Emotional Manipulation That Fails to Leave a Genuine Impression

Rebecca Rosén
13th Jul 2023

REVIEW: Netflix’s ‘One More Time’ (2023) Is a Predictable Albeit Fun Time Capsule of 2000s Sweden

Rebecca Rosén
29th Jun 2023

REVIEW: ‘Skate Dreams’ (2022) is an Energetic and Joyous Documentary About the Rise of Women’s Skateboarding and the Power of Community

Rebecca Rosén
16th Jun 2023

REVIEW: Nicolas Peduzzi’s ‘On the Edge’ (2023) is a Gripping Account of a Crumbling Medical Institution and the Admirable Workers Within It

Rebecca Rosén
31st May 2023

REVIEW: ‘Past Lives’ (2023) is a Meditation on Love, Loss, and Fate

Alysha Lindvik
24th May 2023

REVIEW: ‘The Starling Girl’ (2023) Offers an Empathetic Coming-of-Age Story

Nuha Hassan
21st May 2023

REVIEW: ‘Sanctuary’ (2022) is a Theatrical Masterclass in Incredible Performance

Nuha Hassan

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