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ARCHIVE

  • Mad Women, Crazy Women: The Subversion of Gender Roles in Netflix’s ‘Dead To Me’
    9th Jun 2019

    Mad Women, Crazy Women: The Subversion of Gender Roles in Netflix’s ‘Dead To Me’

    hannahrosinareview
  • Gentleman Jack: Redefining Period Drama
    2nd Jun 2019

    Gentleman Jack: Redefining Period Drama

    Alissa Morgan
  • “Don’t Quit Before the Miracle Happens” – Mental Health in Netflix’s One Day At A Time
    29th May 2019

    “Don’t Quit Before the Miracle Happens” – Mental Health in Netflix’s One Day At A Time

    Alissa Morgan
  • ‘The Tick’ (2017): Mental Health and Growing Up Through the Lens of Arthur
    12th May 2019

    ‘The Tick’ (2017): Mental Health and Growing Up Through the Lens of Arthur

    Paige Kiser
  • Vincent, The Monster and Amy: How ‘Doctor Who’ Captures Depression In ‘Vincent and the Doctor’
    1st May 2019

    Vincent, The Monster and Amy: How ‘Doctor Who’ Captures Depression In ‘Vincent and the Doctor’

    Georgia Davis
  • Writing the Redemption Arc: A Guide by ‘Avatar the Last Airbender’
    30th Apr 2019

    Writing the Redemption Arc: A Guide by ‘Avatar the Last Airbender’

    Nia Le
  • Oh, and Bi the Way: How ‘Brooklyn Nine-Nine’ Centres LGBT+ Narratives in its Comedy and Manages to Get it Right
    19th Apr 2019

    Oh, and Bi the Way: How ‘Brooklyn Nine-Nine’ Centres LGBT+ Narratives in its Comedy and Manages to Get it Right

    Alissa Morgan
  • Disney+ and the Commercialisation of ‘The Simpsons’
    18th Apr 2019

    Disney+ and the Commercialisation of ‘The Simpsons’

    obsessreviews
  • Agent Carter Walked, So Captain Marvel Could Fly
    16th Mar 2019

    Agent Carter Walked, So Captain Marvel Could Fly

    ellmachtfilm
  • International Women’s Day 2019: Women We Admire in TV & Film
    8th Mar 2019

    International Women’s Day 2019: Women We Admire in TV & Film

    Daisy
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